A Quote by Joan Armatrading
Right from day one, you know when you've written a good song.
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I'm a composer, and therefore I know when I've written a good tune. When you've written a good song is when you know that the lyric is completely coalesced with the song.
I've always written songs from a sad place. I can't think of one good song that I have written in a happy place. I was saying I was kinda bummed because I've been sorta chasing the girl I've been in love with for years and years and we're finally together now, and I'm like super happy for months and months and months. And my girlfriend asks, "Why haven't you written a song for me?"And I don't know how to tell her "Because it's just too good."
I would never sit and write a song in front of anyone, because you're so vulnerable. I don't know at what point in the process that it becomes acceptable to pass them on. When a song wants to be written, it will be written. When it does come, I will very rarely go back and edit lyrics. I'm quite a rational human being, and the only part of my life that I can't rationalise, or can't make sense of, is how a song gets written or why.
I was one of those guys, you know, playing and singing, and there was no reason for me to write a song, because there were so many beautiful songs out. And Bob Dylan was always the ultimate songwriter, and nobody could ever write a song as good as him, and nobody ever has written a song as good as him.
That song "Futuro" was written by Quique Rangel, the bassist. I wouldn't know how to explain the song, but each would have to give their own interpretation. If the lyrics generate that message for you, then that's good.
The difference between a good song and a great song is a good song is one that you know, you'll put on in your car or you'll dance to it. But I think a great song you'll cry to it, or you get chills. I think a great song says how you feel better than you could.
So, once I've written a song, you know, I'm pretty happy with what the song is on its own terms.
I'd never written a song before 'The Blood'; I didn't know it was going to be a song.
Every artist has the song where they say, 'I wish I could have written a song as good as this,' but they don't feel like they've done it yet. It pushes you to evolve.
I get up every day and work in the morning. I have my coffee and get to work. On good days I look up and it's dark outside and the whole day has gone by and I don't know where it's gone. But there's bad days, too. Where I struggle and sweat and a half hour creeps by and I've written three words. And half a day creeps by and I've written a sentence and a half and then I quit for the day and play computer games. You know, sometimes you eat the bear and sometimes the bear eats you. [Laughs]
There's nothing like that feeling of having just written a song that you know is 'the song,' and you know it's really great, and you can't wait to share it with people; you can't wait to record it.
Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine,' which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.
Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine', which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.
When you know you have a good song, when you're onstage, even if it's just a weird, basic energy, you know your song is good.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
As a song-writer I have always written with one instrument - either guitar or piano - because I believe that if a song is strong enough to be performed completely stripped down then it is a good one to go on and record.
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