A Quote by Joan Baez

The point on nonviolence is to build a floor, a strong new floor, beneath which we can no longer sink. — © Joan Baez
The point on nonviolence is to build a floor, a strong new floor, beneath which we can no longer sink.
The point of nonviolence is to build a floor, a strong new floor, beneath which we can no longer sink. A platform which stands a few feet above napalm, torture, exploitation, poison gas, A and H bombs, the works. Give man a decent place to stand.
In romantic comedies there's a certain ceiling and a floor that you can't necessarily love as hard, or hate as hard, or have as much pain, because you sink the shop of the romantic comedy. But in a certain drama, like some of the ones I've been doing, the ceiling and the floor was my own. And in many ways, that was a higher ceiling and a lower floor, so that was more of a band-with for those emotions.
The point guard is always the leader on the floor, regardless: the extension out there on the floor for the coach.
Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking, “I am falling to the floor crying,” but there’s an element of the ridiculous to it — you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well.
A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor.
I got my first job the old-fashioned way: I took an elevator to the top floor of many buildings and walked down floor by floor on the stairs going into every firm and asking the receptionist if she knew of any jobs available.
I do chores around the house, but I don't get an allowance for them. I wash the dishes and sweep the floor... I'm sweeping the floor quite a lot, and my mum always expects me to get a broom and swagger it across the floor all the time.
Tile is going to the landfill by the metric ton. All we have to do it gather it up, glue it down to the floor and grout it. Then you have a tile floor, and not just any tile floor: it's a mosaic of your own choosing.
We have to discard the past / and, as one builds / floor by floor, window by window, / and the building rises, / so do we keep shedding - first, broken tiles, / then proud doors... and each new day / gleams / like an empty / plate.
Every collaboration with a new person is like when you take a bin of Legos and dump them on the floor. All of the pieces to work with are right there. A floor full of Legos is full of possibilities.
It's as if my left heel is my bass drum and my right heel is the floor tom-tom. I can get snare out of my right toe by not putting it down on the floor hard, and, if I want cymbals, I land flat on both feet, full strength on the floor.
Being unheard is the ground floor of giving up, and giving up is the ground floor of doing yourself in. It’s not so much, what’s the point? It’s more like, what’s the difference?
As happy as I am off the floor, on the floor I'm the opposite. I don't take any crap.
Do you all have a living room floor or a bedroom floor? Then you can write a book.
I'm feeling like I can stay on the floor for a while. I can run the floor. I can fight in the post with guys. I can rebound.
I use heavy strings, tune low, play hard, and floor it. Floor it. That's technical talk.
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