A Quote by Joan Baez
When I was 16, the guest speaker was King. And I was completely overwhelmed because I had been studying nonviolence, talking about it, reading about it, but here it was happening, here it was people boycotting the buses and people on the streets and taking risks, which I think was the key.
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Talking from morning to night about sex has helped my skiing, because I talk about movement, about looking good, about taking risks.
This man, who for twenty-five years has been reading and writing about art, and in all that time has never understood anything about art, has for twenty-five years been hashing over other people's ideas about realism, naturalism and all that nonsense; for twenty-five years he has been reading and writing about what intelligent people already know and about what stupid people don't want to know--which means that for twenty-five years he's been taking nothing and making nothing out of it. And with it all, what conceit! What pretension!
I'd been asked by Takashi Murakami to collaborate on something, which was an honor for me. I was really pleased. And then he had me as a guest speaker on his radio show, and we were talking about art. I don't think he knew I was interested in the topic - he was really surprised to find out that I own some original Andy Warhol and Gerhard Richter and Jean-Michel Basquiat works. So, in some ways, I think he simply wanted to see what I have.
Nothing's about taking risks as much as doing stuff that other people haven't done before. Just like in racing, it's not about taking risks but trying to figure out how to be faster.
In other words, you're taking away your freedom of speech. And they [ministers and priests] started telling me about the Johnson Amendment which really was the first time - and I started studying .And we had a meeting a month later and I said, "We're gonna get rid of the Johnson Amendment because they're stopping you and our great people from talking."
She [Hillary Clinton] knows the people well. I think there is - you know, also talking about breaking down barriers and talking about that, whether we`re talking about that in economic terms. I mean, she`s the only person who has been out there talking about white privilege and talking about sort of the intersectionality of some of these issues.
The great thing about 2017 is that, because of the terrible political state that we're in and that America is in, young people are so vocal at the moment about so many issues, from racism to LGBT rights to beyond. I feel like - especially when I look at my fan-base - people are so vocal about their opinions and so vocal about spreading love. That's really important, and I think it's really amazing that people are talking about that. I just want that to keep happening.
I reject criticism because the last thing I wanted was to sit there and look at people talking. I think people are conditioned to think of documentaries now as talking heads. This movie about Valentino is not about that at all. It's about watching people in action. To the critics who wanted more talking heads, I send a dozen dead roses.
We cannot have policies that punish people for taking action. Imagine the further harm it would have caused if the federal government banned civil rights leaders from boycotting buses in Montgomery, Alabama, or banning divestment from Apartheid South Africa.
I'll tell you that the dog whistle politics is badly missing the mark. Because, you know, as I've been speaking about it, sure, I've got some racists who come and complain about it. That happens. Right? But I have been absolutely overwhelmed - absolutely overwhelmed - by the number of everyday people who have contacted me with one simple question: what can I do to help?
I don't think about taking risks anymore because there aren't any risks to take.
People are talking about sex. They're talking about sex with their husbands. They're talking about sex with their girlfriends. They're talking about sex with their partners. And because of all of this communication, women are having much more intimate relationships, which is fantastic.
I always think it's silly when people talk about works of culture taking risks. Because there's not any risk involved.
We don't like to use the phrase "state security" in the United States because it reminds us of all the bad regimes. But it's a key concept, because when these officials are out on TV, they're not talking about what's good for you. They're not talking about what's good for business. They're not talking about what's good for society. They're talking about the protection and perpetuation of a national state system.
When I think about protest, I worry so much that people think about it only as standing in the streets. And I say that as someone who has been standing in the streets of cities across the country - but at the root of it is this idea of telling the truth in public.
Street politics is what happens in our everyday life, living in the bando. It's the environment around us and what we doing in the streets. We [Migos] talking about how many snakes there are in the grass and talking about how people can hurt you, and talking about how that can help you gain knowledge.
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