A Quote by Joan Baez
It [my vocal] didn't sound like what I wanted to hear; the vibrato isn't what I liked anymore. So I got myself to an ear, nose and throat guy who does a lot of work with singers, and I was hoping there was a big wart on my vocal cords or something and they could scrape it off and I could have the voice I wanted. But he said, "No, for 71, that's your voice."
Related Quotes
I have as many pictures of my vocal cords as I do of my children. I have a great ear, nose and throat doctor, and we look at them - if there's some redness, maybe I'll take a little time off.
I had really bad polyps on my vocal cords, and I've had them since I was a kid, but the bulimia made it 10 times worse. They were bleeding constantly, and it was straining on my voice. And just the lack of nutrition - my vocal cords couldn't keep up because I was so unhealthy.
And my voice now is a struggle, it's a daily struggle to keep it up. Gravity has begun to fight the vocal cords the way it does with everybody. So I have a vocal therapist, and we record the sessions and I use them on tour every day.
The only reason I don't kill him," he remember the woman saying, her voice sounding like the scrape of iron against iron, a corrosion of vocal cords, "is because he's not important enough.
There was an agent who wanted to book me for Glee. He lied and said I could sing. He was like, "If you need a guy in a wheelchair who has a great voice, I've got your guy!" I was like, "What are you talking about?" .
I think I'm a vocal genius, not a musical genius. I like background vocals. I consider myself a voice, not a singer. A voice is a sound, and singing is what you do with that sound.
I always wanted to make sure that I was honest to myself and that people wanted to hear an opinion that was authentic... I wanted Man Repeller to be a voice for women who felt like they didn't have a voice or for women who didn't know how to express their voice.
In every song, there is a vocal element that doesn't have any words. I wanted to play around with how emotive and expressive my voice could be.
When I was on the air a lot my throat and vocal chords got tired. If you don't vary your tones you can't get pretty tired of your own voice.
What I find is really interesting is the Ear-Nose-Throat doctor thing, which I know would take a lot of work and education, but it's something that really interests me, because it's something that helps people who've had the same problems as me, with the whole hearing and nose congestion and problems with your voice.
And that was as far as he got before i heard it. The thumping of footsteps, running up the lawn toward me: It seemed like I could hear it through the grass, like leaning your ear to a railroad track and feeling the train coming, miles away. As the noise got closer I could hear ragged breaths, and then a voice. It was my mother.
I think I copied my style from Louis Armstrong. Because I used to like the big volume and the big sound that Bessie Smith got when she sang ... So I liked the feeling that Louis got and I wanted the big volume that Bessie Smith got. But I found that it didn't work with me, because I didn't have a big voice. So anyway between the two of them I sorta got Billie Holiday.
My vocal influences are a lot of jazz singers: Billie Holiday, Julie London, they had this tenderness to their voice.
With that incredible voice that he [Alan Rickman] could play like a sort of wonderful instrument, like a cello or something. He played his voice, and he could be the most subtle of actors. And he could also be quite a big actor. He could do the grandiose performances as well.
Like my writing, my voice has been something I've worked at. I knew I had a good voice but it was a matter of time before it was what I've got now. I've had to build my vocal muscles up until they were like Arnold Schwarzenegger.
You see on 'Britain's Got Talent' and 'X Factor,' they all wear ear plugs. But I could not hear myself when I wore them. So that is where the strong voice came from.
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