A Quote by Joan Collins

I'm a woman for all seasons. I mix 'n' match, do designer and high street - keep all my good pieces. I design all my evening and cocktail dresses most of the time as I dislike what is out there.
I've used a lot of jersey, but I've also done a lot of complex pattern weaves in these fabrics in solid colors, and there are lots of little dresses for cocktail and evening. I've done a series of very important evening dresses as well, just to show that these two ideas can also work well together. Today's woman can wear an important evening dress or a simple pant and top. It's all in the personality of the woman.
Growing up, I loved shopping from the streets of Delhi and love a mix and match of designer wear and high street in my wardrobe.
I wear everything from hip-hop baggy pants to beautiful Armani dresses. I also like to mix vintage clothing with designer pieces.
I love to mix high street with a good pair of shoes. I don't agree with wearing head-to-toe designer - I think that's a bit Wag-gy.
It's good to mix high street and designer and vintage. I'm a big fan of vintage stuff.
I like a little bit of designer, with a bit of vintage and high street mixed in. I love it when you find those one-off key pieces, which end up becoming investment pieces.
I'm not good at dressing up. I always feel a bit out of place. It's just not me - high heels and designer dresses - and I can't seem to get used to it.
so my grandmother was not without humanity. and if she wore cocktail dresses when she labored in the garden, they were cocktail dresses she no longer intended to wear to cocktail parties. even in her rose garden she did not want to appear underdressed. if the dresses got too dirty from gardening, she threw them out. when my mother suggested to her that she might have them cleaned, my grandmother said, "what? and have those people at the cleaners what i was doing in a dress to make it that dirty?" from my grandmother i learned that logic is relative.
The difference between what designers create are you know they're creating a little world every season, you know head to toe, a full look, shoes bags, dresses, the whole thing whereas street fashion is what people are really wearing. There is an element of new. There is an element of previous seasons. There is your own history, you know your sweatshirt from high school and vintage pieces and it's that kind of combination that I find so much more interesting than just the runway, but you know and I love fashion.
If I weren't a theatre designer, I wouldn't be any other kind of designer. Design is interesting to me as it relates to narrative: the design has to support the narrative. Storytelling is the most important thing.
When evening quickens in the street, comes a pause in the day's occupation that is known as the cocktail hour.
I have been called an eco-designer simply because I use wood. But I am not an eco-designer, nor does the use of wood make me one. I am a designer who cares about the effect of what I do, and about making good things for people to keep and cherish - that, surely, is simply the basic condition for 'good design'?
I love Christopher Bailey and Burberry, Mulberry for bags, and Hudson for jeans. I like a little bit of designer with a bit of vintage and High Street mixed in. I love it when you find those one-off key pieces, which end up becoming investment pieces. I always go for comfort, and like feeling confident and casual.
When I design the clothes, I have a very good team around me, showing me different pieces and cuts. I'm very involved in the process, I go to L.A. and get onto the design floor, and I help pick out the best pieces.
Good design is innovative 2. Good design makes a product useful 3. Good design is aesthetic 4. Good design makes a product understandable 5. Good design is unobtrusive 6. Good design is honest 7. Good design is long-lasting 8. Good design is thorough, down to the last detail 9. Good design is environmentally friendly 10. Good design is as little design as possible
This is very much my philosophy as a fashion designer. I have never believed in design for design's sake. For me, the most important thing is that people actually wear my clothes. I do not design for the catwalk or for magazine shoots - I design for customers.
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