A Quote by Joan Collins

And then I wrote my first autobiography when I - well, it was 23 years ago. And since then I've written about one book every two years. — © Joan Collins
And then I wrote my first autobiography when I - well, it was 23 years ago. And since then I've written about one book every two years.
There's nothing worse than the guy who at the party goes, 'Oh, I had that idea two years ago.' Well, then, why didn't you do something two years ago?
I've been rapping and writing since junior high school, just having fun with it as a hobby. Then I got signed to a label Poe Boy Entertainment four years ago, I started taking it serious about a year and a half, two years ago.
I wrote 'Mr. In-Between' very quickly when I was about 23. I wrote the penultimate chapter, then realised I'd done something which was written to the best of my abilities. I panicked. I hesitated to finish the final chapter and went into withdrawal for three years. I decided to pick it up again after I went drinking with author Tim Binding.
I like to go back and read poems that I wrote fifty years ago, twenty years ago, and sometimes they surprise me - I didn't know I knew that then. Or maybe I didn't know it then, and I know more now.
I wrote my first book without being to Ethiopia since I was two years old.
I was a fan of the Marx Brothers. One of them had this character where he pretended not to be able to talk, but then he wrote this autobiography called 'Harpo Speaks!' He wrote about how he quit school at nine years old to become a professional.
At 31, I decided to learn how to read and, at 32, read my first book: Lee Iacocca's autobiography. Ten years later, with my friend Larry 'Smokey' Genta, I wrote my first book, which was my proudest accomplishment.
When I wrote for myself before as an artist, I probably wrote about 15, 20 songs a year. I thought that was a lot. Then, when I first started writing for the people, I wrote, like, 65 songs in a year for two years in a row.
When I first read Helen Weinzweig's 'Basic Black with Pearls' several years ago, I emerged in the sort of daze that happens when a book seems to ferret out your most secret thoughts and hopes. Since then, I've described the book to others as an 'interior feminist espionage novel.'
I used to feel for years and years and years that I was very remiss not to have written a novel and I would question people who wrote novels and try to find out how they did it and how they had got past page 30. Then, with the approach of old age, I began to just think: “Well, lucky I can do anything at all.
The book is called 'Thanks for Nothing' and it's really the story of how I got into comedy and traces back every strand in my life that is relevant to that story. It's kind of an autobiography but isn't, as it stops about 25 years ago. It goes right up to the first time I do stand up.
For the first few years I wrote jokes and performed them word for word and then wrote tags for them and did that word for word and that worked pretty well. Now, I do almost all of my writing on stage and then record and listen for any new things and then I write those down.
Years ago on the set of Gunsmoke I read the book The Holy Science. Since then I have not eaten meat.
I figure I wrote 37 songs in 20 years, and that's not exactly a full-time job. It wasn't that I was writing and writing and writing and quit. Every now and then I wrote something, and every now and then I didn't. The second just outnumbered the first.
That wasn't because of money, it was because I had a job for the next two days and wanted to work. So I faked a test. That was over two years ago. Why has there been no issue about it since then?
I started off doing indie comics that I wrote and drew myself. I was doing those for ten years before I started to work for DC. The first book that I wrote for DC was for another artist. I did some backups in 'Adventure Comics' years ago starring The Atom. That's the first time that I ever wrote for another artist.
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