A Quote by Joan Collins

I used to go over to Gene Kelly's house and play volleyball, and Paul Newman and Marlon Brando were always there. You kind of took it for granted because I was 20, 21, 22, and they were a bit older - well, Gene certainly was. But it was just part of daily living. They were in the same profession, and you didn't think that much about it.
Chocolate is the greatest gift to women ever created, next to the likes of Paul Newman and Gene Kelly. It's something that should be had on a daily basis.
Gene Kelly has meant so much to me through the years. I used to dance in my living room in socks and a tee-shirt, no idea what I was doing, but wanting to dance like Gene.
He [Gene Kelly] once told me dancing was a man's game, as much of a sport as baseball itself. And he made us believe that. He changed our minds and suddenly, all of America wanted to dance just like Gene Kelly.
Even Gene Kelly: I always preferred him to Fred Astaire, just because he was more athletic, like skateboarding. His leaps were big. There was something really great about his moves.
'The Unsinkable Molly Brown' was my favorite for me to be in because it was all dancing. There were other musicals that I made with Donald O'Connor and Gene Kelly that were wonderful pictures, and we had a lot of fun making them.
Astaire was ballroom, basically, and Gene Kelly had such athleticism - that's always what I responded to and what just blew my head open when I watched Gene Kelly's numbers. But, Fred Astaire was just so incredibly inventive and so, so smooth - so smooth.
'Play It Again Sam's opening shot is the same as 'Purple Rose's final one: a close-up of a face, rapt in a movie house. I've certainly felt that in my life. I've been known to cry watching Gene Kelly.
Kate Winslet also happens to be one of my close friends who I goof off with like crazy. It was a reunion of two people who, I guess, are a little bit older, a tiny bit wiser but ultimately were the same as they were when they were 21.
Of course the Disney movies, you know all the soundtracks, and anything Gene Kelly and Fred Astaire were doing - Singing in the Rain was one of my favorite musicals I used to watch a lot because my mom came from a theatre background.
Suppose that there's a gene that makes you gay if you were bottle-fed but that has some completely different effect if you were breast-fed. So in the days before bottles were invented that gene would not have manifested itself as gay behavior, but now that bottles are common it can do so.
Knowing that Gene and Morgan were playing those roles made it much easier to put the script together-we knew who we were writing it for. It took some mystery away.
I was in a movie with Marlon Brando. Now, I didn't have any scenes with Marlon Brando, but I had scenes with Martin Sheen and was around Dennis Hopper, who was a child actor in the studio system and was enamored of James Dean, as was Martin, and they were all sort of disciples of Brando.
What I saw over all that time were so many deals disappearing and producers disappearing, fewer movies getting made, and it just being a bit more difficult. Working with Joel, we were in a bit of a bubble because he was always making things that were working for the studio and that kind of thing. We were always in production on something.
I still can't believe I danced with Gene Kelly. How lucky am I that I've been in movies where I've danced with two of the greatest dancers of all time - with Gene Kelly and John Travolta.
I always took a great interest in my clothes. My sister, who was 13 months older, and I always dressed alike, but as I got a little bit older, I didn't like that because I wanted to dress differently. So our mother would put Patty in blue and Polly in pink, or we would wear complementary colors, but the shapes we were wearing were always the same, and I was very interested in that. I also took great interest in my dolls and their clothes.
It's interesting when you're in your thirties and you're not the same pretty boy that you were when you were 21. I think people's anger at themselves getting older is projected on to you because you become a symbol of that.
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