A Quote by Joan Collins

I think you always have to use certain parts of yourself in any role. — © Joan Collins
I think you always have to use certain parts of yourself in any role.
I think there are two sides of the coin. On one hand, it can be challenging to access different parts of yourself, and you kind of have to put yourself back into reality when you're done with the job. But I think it's also really cool to have the ability to try on being different people and to explore some parts of yourself because you get to know yourself better. You get to know parts of yourself that you haven't met before. I think that's something that I've been learning more recently.
I think if a character appeals to you, there are certain parts of yourself will come to the fore and other parts that will play down.
No matter what role I play, I have a certain image to maintain. I believe I'm a role model and I take my parts accordingly.
Actors are always identified with certain parts. To some, Marlon Brando will always be the Godfather. That's just how it is, whether the character happens to be your own personal favorite role or not. You can't ever get away from it.
I think we all have a bunch of different people inside of us, and then for a particular role you bring a certain side of that self of yourself forward to sort of play, but it's always really dimensionalised.
Of course the U.K., and its component parts, should seek out as many connections with as many parts of the world as is profitable and feasible. But to play any kind of global role effectively, the U.K. is likely always to require allies within its own continent, and far more enterprise needs devoting to this.
I've always thought of myself as a role model even before being a 'celebrity.' I've always been doing charity work and volunteering in the community since I was 8, so when you do that, I think you just assume that role when you put yourself out there.
I think the trick is that you have to change how you take stuff in. Maybe the early beginnings of a song come out in a subconscious way, but then you might have to crack it to a certain degree, where you might use parts of your brain that you don't normally use.
The only parts I like out of any of those women books is the dirty parts. But I don't think their dirty parts are any good, really.
And there's been occasions where I've gone brown and got parts! I'm not above doing that! I hope after this, I can get a role where it won't be: "Oh, you can't play any role other than a blonde." I'm proud of being a blonde. I'd be proud of being a brunette or a red-head. I don't think it matters.
If my role requires a certain kind of dialect, which I think I am not confident enough to do, I'd prefer a dubbing artist then. There shouldn't be a selfish motive, and it's always better to have a certain understanding between the director/producer and the actress.
Hoods are good parts because they're always flashy and attract attention. If you've got any ability, you can use that as a stepping stone.
With each job that you're given an opportunity to do, you're asked to use new parts of yourself and to figure the play out with other tools that you perhaps didn't use with the last show.
I find often in Hollywood there are many people who play themselves really beautifully. And certain parts are not that dissimilar from who you are as a person. And there are other parts where you would like to think that you have nothing in common with those characters, but you probably do have more than you think.
What's interesting about playing Maura is that I get to use more of Jeffrey that I've ever used in any role, and I think that's the remarkable part about it and truly the most surprising part about doing this role.
I don't think it's not feminist to use every tool you have to succeed, and part of that is being a woman - presenting yourself in a certain way.
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