A Quote by Joan Collins

I've never been that keen on Shakespeare. — © Joan Collins
I've never been that keen on Shakespeare.
A lot of people have a fear of Shakespeare. Even actors do. People are like, "Oh, I won't go and see Shakespeare because the language is so hard," but it is. When you read it on the page, you go, "What?! What does that mean?!" If you go to a Shakespeare play and you've never been, you sit there and go, "I'm an idiot! I don't get it!"
I'd love to do Shakespeare. I've been asked to do Malvolio but for one reason or another haven't been able. On a school trip to the Royal Shakespeare Company at Stratford I saw the great Emrys James as Feste and it's always been a role I've coveted.
Shakespeare's always been sitting on my back, since I began reading. And, certainly, as a writer, he's who I hear all the time. And he's almost indistinguishable now from the English language. I have no sense of what Shakespeare is like. I have no sense of the personality that is Shakespeare. I think, alone among writers, I don't know who he is.
It's not that there has never been a keen following for women's cricket in India.
I think that music is crucially important in Shakespeare - and, clearly, was an important part of the Elizabethan theatre. And, it's always been something that was a profound element of the experience of Shakespeare that I have been drawn to - and interpreters have, as well.
I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting.
Shakespeare had no tutors but nature and genius. He caught his faults from the bad taste of his contemporaries. In an age still less civilized Shakespeare might have been wilder, but would not have been vulgar.
It would have been impossible, completely and entirely, for any woman to have written the plays of Shakespeare in the age of Shakespeare.
One of things I'd love to do one day is a Shakespeare with Trevor Nunn. I've done musicals with him, but never Shakespeare. There's no one better.
Shakespeare will never be made by the study of Shakespeare.
I've always been very keen on Pascal, and what I'm most keen on in Pascal is his emphasis upon human wretchedness. He has a phrase which goes something like 'Anxiety, boredom and inconstancy, that is the human condition' and I've always been very partial to that.
I never wanted to do Shakespeare; I never liked watching it, it's always frightened me, and I've never been any good at it. But I really wanted to work with the director Tim Carroll and Mark Rylance.
I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it's interesting that there's this gaping hole in the repertoire in the American theater, which is Shakespeare. It's hardly ever done, compared to how often it's done in other companies, not just Britain. Someone from the Roundabout Theater Company - I said, "You never do Shakespeare." And he said, "Yes, we're not very good at it." And I thought, "What a terrible thing to say.".
"With this same key Shakespeare unlocked his heart" once more! Did Shakespeare? If so, the less Shakespeare he!
Most of my career has been spent with the RSC doing Shakespeare, and the thing you learn from Shakespeare is that his historical plays don't bear anything other than a basic resemblance to history.
There never has been devised, and there never will be devised, any law which will enable a man to succeed save by the exercise of those qualities which have always been the prerequisites of success - the qualities of hard work, of keen intelligence, of unflinching will.
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