A Quote by Joan Crawford
When television killed comedy and love stories, the movie makers went in slugging. They offered the downbeat, the degenerate as competition. This seems to me to be a sad campaign for Hollywood to use to combat box office disaster.
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Eddie Murphy did '48 Hrs.' because that was the only movie offered to him. And he killed it. Bill Cosby did 'I Spy' because that was the TV show he was offered. But now, there are networks dedicated to comedy, and the Internet... it's so easy for comedians to not do things that aren't true to them.
I got to make 'Trishakti' with Arshad Warsi, who was a newcomer at that time. The movie took three years to complete and became dated by the time it was released. The movie did not even get a proper release and bombed at the box office. It was a very bad patch of my life and a big disaster for my career.
Often, in the movie business, they need somebody who will garner box office because they need to pay for the movie. So the people who are in movies that make a lot of money are the people who most often get cast in studio pictures. In my career, I've never been a box office name.
Hollywood's thinking is very typical. And it's just really predictable too. And I think at Hollywood, these box office movies are flopping. I mean, there hasn't been an original thought coming out of Hollywood since the '80s.
Then if your movie clicks with real audiences, you'll be sucked into some sort of Hollywood orbit. It's a devil of a place where the only religion that really counts is box office.
I think the message has already been sent to Hollywood, which is that this kid's a hard worker, he's talented, and people are coming out to see him. And when you have box-office results, Hollywood treats you different. Hollywood stands up.
When you have box-office results, Hollywood treats you different. Hollywood stands up. Once you get to the point where Hollywood sees that you create results, then the demand for you becomes higher.
What counts in Hollywood is box office. It doesn't really matter what people think of you as an actor because, as long as you have been in a movie that has made money, you will always get another job.
We love the ability of the people to influence the actions of decision-makers, of lawmakers and presidents to be removed from or elevated to office by the will of voters, and of the community to connect amongst diverse populations through the ballot box.
As a rule, Germans shouldn't do comedy. Their last box office comedy was Nosferatu.
People can criticise all day long, I think I've proven myself, I think I deliver. And I agree, box office does not mean a movie's good, but I feel like I'm making good movies and I'm delivering in box office.
Vellimoonga' works at the box office because there is an inherent honesty to the film. Nothing about the movie has been exaggerated; it's a comedy that is clean and maintains a certain standard that harks back to Malayalam cinema's past.
'I Wanna Hold Your Hand' and 'Used Cars' were absolute failures at the box office. Complete disasters. I learned some sad news: it's not an automatic thing that, if you make a good movie, everyone wants to see it.
That's the way this business works: if your movies do well at the box office, you will be offered more movies. It doesn't matter if you're a nice guy or you're a prick. If your movies do well, there's a job waiting for you in Hollywood. It's not any more complicated than that.
Every movie I do, regardless of how they fare at the box office, excites me.
Aggression, it's the next thing to war, except you don't get killed. Aggression is what you have every day with your wife. Aggression is what you have every day at the office. Box is a legalized form of aggression, where the ending is well-defined, the combat is well-delivered, and you got 10 rounds of two equally-sized fighters fighting aggressively to hurt each other.
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