A Quote by Joan Cusack

I think us gals need to stay in and just change the way it works, so men aren't being workaholics and avoiding life and relationships, and they can make films in a reasonable amount of time, so you can have a family and a life outside of work. And have more balanced, content-driven, enjoyable movies.
Us gals need to stay in and just change the way it works, so men aren't being workaholics and avoiding life and relationships, and they can make films in a reasonable amount of time, so you can have a family and a life outside of work. And have more balanced, content-driven, enjoyable movies.
I think that a lot of women get out of the business because it's so not family-friendly. And so women that could be in there making good women-roles don't do it, 'cause they're smart and get out. But I think there is a consequence to that. I think us gals need to stay in and just change the way it works, so men aren't being workaholics and avoiding life and relationships, and they can make films in a reasonable amount of time, so you can have a family and a life outside of work. And have more balanced, content-driven, enjoyable movies.
Life expects us to make a reasonable amount of progress in a reasonable amount of time. That's why they make those second grade chairs so small.
To be honest, I watch way more dramatic films when I'm chilling at home. I think when you work in comedy, you just want something different in your private life. Makes you feel balanced, I guess.
I think, as a filmmaker, my style of filmmaking is very well-suited to 3-D anyway, so it's not like I'm having to change a huge amount of the way I shoot to work in 3-D. I think you could probably dimensionalize some of my movies and they would make very good 3-D films.
People who are alone all the time never grow. Those hermits just stay the same. It's only through relationships. Relationships change us and make us grow.
You're not chasing syndication any more. It used to be a big thing. "Let's make 100 episodes and we'll get paid for life". You know? And what does the sheer amount of content that's being made do to syndication after a while? It just seems like there's more content than there is hours for everyone to watch it. But it's some of the best content that's ever been created.
I would say that all my films have more content than a 'content-driven film.' It is not easy to make such films.
What I learned, more than anything, was that you can't have it all balanced perfectly at any one time. When I was young, it was much more balanced toward work. When I had my children, it was much more balanced toward love and family, and I didn't get a lot of work done. So you can't ask of it to be perfectly balanced at any time, but your hope is, before you die, you've somehow had each of those spheres come to life. That's probably more important than success in any one of those spheres alone.
Our task is not to find the maximum amount of content in a work of art, mush less to squeeze more content out of the work than is already there. Our task is to cut back on content so we can see the thing at all. The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us.
You have to be very cautious about what you are doing for charity and things like that. I think you have to start with your life. I think that's what life is expecting you to do. In your family, in your surroundings, in your work life, in the people you're with, your relationships; how you behave and doing what you need to accomplish. That for me is being a hero every day of your life.
We make movies about remarkable people like President Mohamed Nasheed of the Maldives in "The Island President" and Al Gore in the film, who get up every day and are driven in an almost inhuman way to make a change in a problem that they see in the world and shine truth into a very dark arena where bad actors try to lie to the American public to gain profits for fossil fuel companies. To us, that's a natural drama. And that's primarily where we work - character-based films that we hope will bring issues to life through their stories.
I have a life beyond the camera. I like to travel. I need a breather between movies. And I don't think I can do that if I work on five films at the same time.
Women and men look at their life, and women say, What do I need? Do I need more money, or do I need more time? And women are intelligent enough to say, I need more time. And so, women lead balanced lives; men should be learning from women.
Women and men look at their life, and women say, 'What do I need? Do I need more money, or do I need more time?' And women are intelligent enough to say, 'I need more time.' And so, women lead balanced lives; men should be learning from women.
I work more now because at this time of my life I am not disturbed from my aim by outside pressures such as family, passionate relationships, dealing with 'who am I?' - those complications when one is searching for one's self.
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