A Quote by Joan Didion

I wanted to be an oceanographer, actually. It's a way of going underwater. I've always been interested in how deep it was, you know. — © Joan Didion
I wanted to be an oceanographer, actually. It's a way of going underwater. I've always been interested in how deep it was, you know.
I always knew that I could go deep. How deep? I don't know. But it always seems that with each character I take on, I'm challenged to go deeper than the last time, and then again deeper than the last time. This is the deepest I've ever been asked to dive. And to see how deep I actually went for this, and that I wasn't afraid to go there in order to give Tyler exactly what he envisioned for the character, which was pretty deep, that's what I discovered about myself.
When I was a little kid, I always wanted to be an oceanographer.
I was always interested in how to be more joyful. This goes all the way back to elemenatary school. I looked at what was going on around me and I wanted something better. Because my mother had so many ups and downs, I watned to know how to be "up" more often.
I have been poor and I wanted to document poverty; I had lost a child and I was obsessed with birth; I was interested in politics and I wanted to know how it affected our lives; I am a woman and I wanted to know about women.
I was always real deep into music. From everything, all around the board - from East Coast, West Coast, down South, everywhere. I just been a fan of music and I know I always wanted to do it myself and I wanted to do it my way. So, I told myself if I ever start doing music, I'ma do it my way. That's what made me start my own label.
I think music has always been what I always wanted to do, but I didn't know how or when I was going to get discovered.
I was always interested in the larger picture, I was pre-law in college, and had a degree in economics. I was very interested in the big question 'how then shall we live?,' how do we organize as a civilization when we are so different, and often don't get along, yet we know at some point we have to unite for the common good? I actually really care about those issues, and I'm driven to understand how it works.
I've always been interested in how people think, how they react to challenges in their lives - what makes people tick. I've also always been passionate about social issues and causes, and I wanted to make films that addressed important issues in very human terms.
I'm interested in - in that his power, if that is the word, is such that he has actually been able to be in a way a one-man wrecking crew in the area of deportment and how one proceeds politically on the stump. Marco Rubio is - is attempting, as you know, to a - to give [Donald] Trump a fight in Trump's own style. I'm not sure how that works, but - but certainly the indices are good.
I'm so sick of seeing guns in movies, and all this violence; and if there was going to be violence in Pines, I wanted it to actually be narrative violence. I wasn't interested in fetishizing violence in any way of making it feel cool or slow-motion violence. I wanted it to be just violence that affected the story.
I've always been interested in the news, but I've always been interested in what's popular. I've always had a little bit of a populist take on things. Which I know is interesting when you talk about Donald Trump.
I've always been interested in people who think out of their time, and I have this passion, actually, for science. I'm just so enormously interested in how, when you think of these revolutionary ideas, other people get threatened, especially if you are different.
I didn't know I wanted to be a hairdresser. I was always interested in fashion and imagery in a very naive way, but it was always an attraction, like glitter balls.
I didn't know I wanted to be a hairdresser. I was always interested in fashion and imagery in a very naive way, but it was always an attraction, like glitter balls. This was in the late '70s, early '80s, so it wasn't like today, where you kind of know all about the industry. Fashion was a very insider industry then - it was very closed. So I didn't really know what I wanted to do.
I wasn't interested in going to the school dances. I wasn't interested in going to the football games. What I wanted was to be in my room painting my walls and doing weird stuff. That's what I wanted and I got to do what I wanted, so that, to me, is my high school experience.
The way I write is very much without kind of a goal. I have something I'm interested in and then I decide I'm going to explore it. I don't know where the characters are going to go, I don't know what the movie is going to do or what the screenplay is going to do. For me, that's the way to keep it alive.
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