A Quote by Joan Jett

I remember thinking that Janis Joplin sang like Mae West talked. When I first heard the primal scream in 'Piece Of My Heart,' I was hooked. 'Cheap Thrills,' Janis 'Live' with Big Brother And The Holding Company, was one of my all time faves. During the 'whoa, whoa, whoa, whoa's' in 'Combination Of Two,' I couldn't help but go to the mirror and pretend I was a wild woman like Janis, in a rock band.
You just witnessed something I've never seen in my entire life. They just called that team (Tennessee) the winner. They said whoa, whoa, whoa, whoa, whoa, whoa, whoa, (whistles) come back here. Then they called us the winner. I'm a tell you right now as an experience, dammit, I'm going to enjoy that one as much as I hate to admit it.
I remember the first time somebody played me Janis Joplin. My friend Donna put on Janis Joplin, and she said, 'You're like her.' At the time, I wasn't even a singer; I was a drummer. I just wanted to play the drums.
There's a very devoted fan base that really loved 'T1' and 'T2' and felt burned by 'T3' and 'T4,' so when we said, 'We're going to do it again!' the reaction was, 'Whoa, whoa, whoa - what do you think you're doing?'
I swear and it comes off a little angry, no matter how funny I'm trying to do it. If I use certain words with a certain intensity, it's like 'Whoa whoa whoa, buddy buddy!'
I had to keep myself in check. Like, 'Whoa, whoa, whoa.' I'd never sat in a room, five feet away from a Klansman putting on his damn robe. That's what freaked me out a little bit. But I wanted to see a Klansman.
The problem is there's a new group. I'm talking about this tiny slice of people that have gotten way too fired up about the Trump thing for the wrong reasons. I'm talking about these people that as soon as Trump won, they're like, we don't have to pretend like we're not racist anymore. We don't have to pretend anymore. We can be racist again. Whoa, whoa, whoa, no, no. If you're one of these people, please go back to pretending.
Nikki Lamborn has the best female rock voice since Janis Joplin and I know what I’m talking about, I knew Janis.
Whoa, whoa! Hold up, there, kid. She lives in Forks, remember? So she gets rained on.
History has a way of coming back to you. In the case of Janis Joplin appearing at the festival in 1968, her performance affected the life of a Bostonian who is now a member of the Newport Festivals Foundation Board of Directors. Ward Mooney was so affected and emotionally involved in Janis’ performance at Newport, that when he heard the festival was going nonprofit, he knew wanted to become a part. Janis was beautiful, gracious and respectful, and the power of her Newport performance continues to live on.
I like the idea of, not shocking people, but just throwing people off. Doing something that makes people go, 'Whoa, whoa, she did that next? Wow, didn't think she was gonna do something like that next.'
People have a certain perfection about them, no matter who they are. Like when Janis Joplin sang. Gorgeous!
Probably the biggest thing is the private planes. Wow, that thing's amazing. Got all the food on there, a bunch of drinks. I don't know, It's just amazing, never seen nothing like it. Tables, tables on planes, that's amazing. That was probably the biggest 'whoa' for me, like, 'I made it'. This big private jet, you're like, 'Whoa.'
I remember my mom dressed like Janis Joplin.
My grandfather was Bob Shad, one of those legendary jazz and blues producers - he worked with Charlie Parker and Dinah Washington, and he produced Janis Joplin's album [1967's Big Brother & the Holding Company]. He always owned small labels as well - he had a label called Mainstream Records in the 70s.
I don't think I sound like Janis Joplin. I'm a woman with a raspy voice.
People hear a powerful female singer in a rock and roll band, and they say, 'Janis Joplin.' I think people just make that comparison because it's easy. But I don't think I sound like her at all.
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