A Quote by Joan Jett
I'd like to just be a little bit more open to making mistakes and not worrying about it so much.
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I've always thought of characters like advent calendars. You have Christmas and you have all the little doors over the windows and every day you're allowed to open one more as it gets towards Christmas and you see more and more about what's inside that house.I remember as a kid being fascinated by that and I've always thought of my character as a little bit like that. I like to have secrets and slowly let those secrets out to the audience, sometimes never let them out, but let them see as you open the shutters, open and see a little bit more of a character.
Don't worry about making mistakes. In fact, the more mistakes you make, the more progress you are making. Just don't repeat the same mistakes.
There's like a little bit of a narcissism - I think there's more than a little bit of narcissism about it, but it's just that you can become so anxious and self-obsessive about whether this thing that I'm writing is good; is this joke that I'm making good?
I'm really proud of you for having come this far - every single one of you, wherever you are, you're on your way - you are getting there! And - don't worry so much! Just - that's what we need to stop doing - stop worrying so much, and start observing a little bit more.
I loved the last album, and it was one hundred percent me. But this is like me two years later, who understands a little bit more about music and understands a little bit more about making an album. I wrote a lot more.
I think Korea is so focused on just the charts, and what's going to chart and what's not, and I'm sure it's like that way in the States as well, to a certain degree. But I enjoy working in the States a little bit more. Because it's more about making music that is the right sound and the right fit to me, not so much just chasing the charts.
For me, making a movie is kind of like vomiting. Not that film is like vomit, but more like this mass of ideas and thoughts that you have and just have to put them out there. It's not even about making perfect sense - it's more about making perfect nonsense. I don't do too much soul-searching or self-analysis. I just enjoy making things.
My own success was attended by quite a few failures along the way. But I refused to make the biggest mistake of all: worrying too much about making mistakes.
In a lot of ways being actor is like with any job, at first it's sort of like alien to you a little bit... a little foreign. And then as time goes on... when I was a kid I'd take a role... it's kind of funny too, because now I have the attitude also "All I am is just like making movies." When you're a kid it's like, "Oh my god, I'm making a movie! It's so much pressure!".
It seems a little bit like the home of the U.S. Open in the States. For all the venues of the U.S. Open this is more synonymous for the U.S. Open than any other one.
I stopped worrying about how other people define me a little bit ago. I used to care a lot. Now I just don't care that much. Really, what I'm worried about is, am I being the best me I can be?
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
What happens during recessions, is you have less windfalls just helping you cover mistakes. You have to be more careful about not making mistakes.
I do feel like L.A. has a very supportive and collaborative energy. I felt that in New York too but also there's so much space here! You can have a home studio. In New York you had to rent a room to do a session or to practice. As a solo artist, it was a lot more expensive. Here there is that comfort in lifestyle a little bit more, being able to breathe a little bit more, and creatively flow, not having to stress about how to get our gear there in a cab and pay by the hour, it's just a different vibe.
I stopped worrying about competition in contemporary art. It feels a little bit more pure. That's where I am, one step back.
As an actor, you want to be open to the unexpected. So in order to be open to that, you do have to get out of your discursive mind just like in any creative process, this isn't just about acting. So you have to learn a little bit how to work with your own mind.
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