A Quote by Joan Johnston

Katie Lane is a wonderful new voice in Western romance fiction. — © Joan Johnston
Katie Lane is a wonderful new voice in Western romance fiction.
Jax Cassidy is a brilliant new voice in contemporary fiction. Full of heat, seduction, and romance, her winning characters are sure to capture your heart and find a place on your keeper shelf.
A romance novel is more than just a story in which two people fall in love. It's a very specific form of genre fiction. Not every story with a horse and a ranch in it is a Western; not every story with a murder in it is a mystery; and not every book that includes a love story can be classified as a romance novel.
I started with Katie, a doll I got on eBay on my 10th birthday. I don't use her anymore. I've got a new Katie now, a real ventriloquist's puppet.
Criticism is, for me, like essay writing, a wonderful way of relaxation; it doesn't require a heightened and mediated voice, like prose fiction, but rather a calm, rational, even conversational voice.
I can't seem to help writing love stories. I definitely crave romance. When I was young, I craved romance in books, but I didn't want to read just romance - love plays such a big part in our lives, it shouldn't be cut out and restricted to its own fiction.
ROMANCE, n. Fiction that owes no allegiance to the God of Things as They Are. In the novel the writer's thought is tethered to probability, but in romance it ranges at will over the entire region of the imagination . . .
I came to New York after Bennington College and trained as a singer. I lived on the West Side and I went to my voice lessons. That was a wonderful part of my life and I really thought that I could go somewhere with my voice.
Katie Dippold, who I wrote the script with, she's very into ghosts and all that. So I go, "Hey, why don't you talk to Katie?"
At a certain point, this is a brand. It's got to be bigger than me as one little person. We have a lane - and it's a good lane - and want to drive faster down that lane.
Ripe for romance? Is that not only the self-conscious and sensitive young man's way of saying he was heavy with passion? Is not, perhaps, romance only the fiction by means of which the tender-minded negotiate their lust?
It's not just what Christian fiction lacks I appreciate - it's what it offers. The variety is vast: contemporary, historical, suspense, mysteries, adventure, young adult, romance, fantasy, science fiction.
Whenever you're dealing with something that's difficult to describe, that you can't get across to someone in a sound bite, it sounds like the normal default is to pick what's easiest, and in the case of fiction written by women, fiction involving women, fiction involving any sort of relationship, the word that comes to mind is 'romance.'
The Western poet and writer of romance has exactly the same kind of difficulty in comprehending Eastern subjects as you have in comprehending Western subjects.
My longest collaborative working relationship is with Katie Grand, the editor-in-chief of 'Love' magazine. Katie's an inspiration and a sounding block. She's got such great taste.
I guess it was easier for me to find my voice in poetry than it was in fiction. I'm working on fiction again, and I find it a lot more difficult. It's a struggle. At a certain point, you have your voice and you go to it every time, so it's not like reinventing the wheel. That's the way I see it at least.
Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it.
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