A Quote by Joan Larkin

Whether the poet is living or dead, they're part of our imaginative community. — © Joan Larkin
Whether the poet is living or dead, they're part of our imaginative community.
That's a fairly Wordsworthian way to look at things! But yeah, actually - part of the poet's work, I think, is to maintain or reintroduce the imaginative capacity of their earlier self while nonetheless maturing. And I do think the more successful the poet is at this particular thing, the greater their achievement as a poet.
The wrong question to ask of a myth is whether it is true or false. The right question is whether it is living or dead, whether it still speaks to our condition.
The border between the dead and the living, if you're Mexican, doesn't exist. The dead are part of your life. Like my dad, who's not here, but he's here.That's why there's the Day of the Dead. There's such a connection with the dead.
Of all the arts the living of a life is perhaps the greatest; to live every moment of life with the same imaginative commitment as the poet brings to a special field.
Dying has a funny way of making you see people, the living and the dead, a little differently. Maybe that's just part of the grieving, or maybe the dead stand there and open our eyes a bit wider.
The fact is that no species has ever had such wholesale control over everything on earth, living or dead, as we now have. That lays upon us, whether we like it or not, an awesome responsibility. In our hands now lies not only our own future, but that of all other living creatures with whom we share the earth.
There's so many people dependent on our work for their living or their livelihood. You do something whether it works or whether it doesn't. Once you're committed and you do it, it becomes a part of your life. I wouldn't be sorry about it. I'd learn from it.
It doesn't matter whether the challenge we face is large or small, whether it's a statewide disaster or a crisis just on our own block - Nebraskans face it with courage, goodwill, and the unwavering conviction that we are part of one community of neighbors and friends.
Solitude is a silent storm that breaks down all our dead branches; yet it sends our living roots deeper into the living heart of the living earth.
The border between the dead and the living, if you're Mexican, doesn't exist. The dead are part of your life.
Loneliness is necessary for pure poetry. When someone intrudes into the poet's life (and any sudden personal contact, whether in the bed or in the heart, is an intrusion) the poet loses his or her balance for a moment, slips into being what he or she is, uses his or her poetry as one would use money or sympathy. The person who writes the poetry emerges, tentatively, like a hermit crab from a conch shell. The poet, for that instant, ceases to be a dead person.
A poet is a poet, whether he rides in a Ford or on a donkey; a sage is a sage, whether he plays golf in New Jersey or bathes in the Ganges, or prays in the desert; and a fool is a fool, whether he be a maharaja or a president of a post-war republic.
The idea of community and helping others has always been a part of who I am. Growing up, my parents always made sure that my siblings and I were doing our part to serve our local community.
My mother actually left American in 1929 to be part of an alternative community of bohemians around her then father-in-law who was a well-known Greek poet. This group of people were living in this semi-Luddite reality and weaving their own clothes - proto-hippies in a way- -but around an artistic vision.
In reality, there is a single integral community of the Earth that includes all its component members whether human or other than human. In this community every being has its own role to fulfill, its own dignity, its own inner spontaneity. Every being has its own voice. Every being declares itself to the entire universe. Every being enters into communion with other beings. In every phase of our imaginative, aesthetic, and emotional lives we are profoundly dependent on this larger context of the surrounding world.
It's a big thing to call yourself a poet. All I can say is that I have always written poems. I don't think I'm interested in any discussion about whether I'm a good poet, a bad poet or a great poet. But I am sure, I want to write great poems. I think every poet should want that.
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