A Quote by Joan Lingard

Mollie Hunter was both a great friend and a very fine writer for children. She was fascinated by Scotland's history and its folklore - almost all her novels reflect her tremendous knowledge of both.
Wilbur never forgot Charlotte. Although he loved her children and grandchildren dearly, none of the new spiders ever quite took her place in his heart. She was in a class by herself. It is not often that someone comes along who is a true friend and a good writer. Charlotte was both.
My mom's one of the toughest ladies I know. I've seen her lose both her brothers, both her parents. She's been through a lot, and to see her get up every day and put a smile on her face, that shows nothing but strength.
It was at first almost as if he hadn't wanted to kiss her. His mouth was hard on hers, unyielding; then he put both arms around her and pulled her against him. His lips softened. She could feel the rapid beat of his heart, taste the sweetness of apples still on his mouth. She wound her hands into his hair, as she'd wanted to do since the first time she'd seen him. His hair curled around her fingers, silky and fine. Her heart was hammering, and there was a rushing sound in her ears, like beating wings
Though not a remarkably precocious child in other respects, she seemed to have very clear and correct views on almost every subject connected with her duty to God and her neighbor; was very truthful both in word and deed, very strict in her observance of the Sabbath - though the rest of the family were by no means particular in that respect - very diligent in her studies, respectful to superiors, and kind to inferiors and equals; and she was gentle, sweet-tempered, patient, and forgiving to a remarkable degree.
In a strange way, Louise Erdrich is perhaps our least famous great American writer; she is not reclusive, but she is reticent, and her public appearances give the impression of a carefully controlled performance. But Erdrich has also shared many of her most intimate emotions and experiences, in some form, in her novels.
I don't know about you, but I have to sleep. I had a long night and I'm exhausted." She was rather tired, too. But as she slid her gaze to the fake leather sofa, she realized it would never fit both of them. Hunter grinned at her. "You take the couch, I'll sleep on the floor." "Can you do that?" "I've slept in worse places." "Yeah, but don't you need a coffin?
Madame Bovary is one my favorite novels. Emma Bovary will always be an enigma, but as the years pass, I feel that I understand her better. She has a violent nostalgia, almost an infantile nostalgia, to be understood by the men surrounding her. I like her relentless fight for independence, her rebellion against the mediocre, and her quest for the sublime, even if she burns her wigs in the process. I like that Flaubert never judges her morally for her self-destructiveness, for her desperate attempt to satisfy her wildest desires and appetites.
I'm looking for a writer who doesn't know where the sentence is leading her; a writer who starts with her obsessions and whose heart is bursting with love, a writer sly enough to give the slip to her secret police, the ones who know her so well, the ones with the power to accuse and condemn in the blink of an eye. It's all right that she doesn't know what she's thinking until she writes it, as if the words already exist somewhere and draw her to them. She may not know how she got there, but she knows when she's arrived.
In her heart she is a mourner for those who have not survived. In her soul she is a warrior for those who are now as she was then. In her life she is both celebrant and proof of women's capacity and will to survive, to become, to act, to change self and society. And each year she is stronger and there are more of her.
Eleanor Roosevelt had both her admirers and her detractors. And they admired her and detracted from her for many of the same reasons. People who liked her social activism, who thought that she was calling attention to problems that needed solving, were all for her.
Chelsea Handler is a good friend of mine, and I always was inspired by the fact that she was taking her life and turning it into these ridiculous, raunchy memoirs. She really has a talent, and she's a great writer. I was inspired by her trajectory.
Seeing him like this, dressed just for her in so patent a manner, she could not hold back the fiery blush that rose to her face. She was embarrassed when she greeted him, and he was more embarrassed by her embarrassment. The knowledge that they were behaving as if they were sweethearts was even more embarrassing, and the knowledge that they were both embarrassed embarrassed them so much that Captain Samaritano noticed it with a tremor of compassion.
Sarah [Silverman] writes her own jokes. She doesn't just go through her life and talk about everything. She sits down and crafts jokes. Sometimes her inspiration comes from areas of her life that are risqué. But she is an A-plus professional joke-writer in addition to being very attractive and a great performer.
Carolyn Maloney has extensive - she's shown over and over again her creativity, her determination, her tenacity in fighting for women's rights. She has passed a host of bills in many different areas, both national and global, with both national and global importance for women, and she's on a Chair of Finance Committee so essentially in this economic crisis, we thought she would be perfect.
When Gypsy was older, after she became Gypsy Rose Lee, I think she was both proud and slightly ashamed of her Seattle roots. She worked very hard to rid her voice of any trace of a local accent, cultivating an affected way of speaking that sounded as if she pinned the ends of her words.
But Laila has decided that she will not be crippled by resentment. Mariam wouldn’t want it that way. ‘What’s the sense?’ she would say with a smile both innocent and wise. ‘What good is it, Laila jo?’ And so Laila has resigned herself to moving on. For her own sake, for Tariq’s, for her children’s. And for Mariam, who still visits Laila in her dreams, who is never more than a breath or two below her consciousness. Laila has moved on. Because in the end she knows that’s all she can do. That and hope.
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