A Quote by Joan Miro

The picture should be fecund. It must bring a world to birth. — © Joan Miro
The picture should be fecund. It must bring a world to birth.
The truth for women living in a modern world is that they must take increasing responsibility for the skills they bring into birth if they want their birth to be natural. Making choices of where and with whom to birth is not the same as bringing knowledge and skills into your birth regardless of where and with whom you birth.
Intelligence is a valuable thing, but it is not usually the key to survival. Sheer fecundity ... usually counts. The intelligent gorilla doesn't do as well as the less intelligent but more-fecund rat, which doesn't do as well as the still-less-intelligent but still-more-fecund cockroach, which doesn't do as well as the minimally-intelligent but maximally-fecund bacterium.
We must accept the fact that transport and communications will bring the world in close relations and the youth of the world should have standards and ideals in common.
We go into a relationship looking for love, not realizing that we must bring love with us. We must bring a strong sense of self and purpose into a relationship. We must bring a sense of value, of who we are. We must bring an excitement about ourselves, our lives, and the vision we have for these two essential elements. We must bring a respect for wealth and abundance. Having achieved it to some satisfactory degree on our own, we must move into relationships willing to share what we have, rather than being afraid of someone taking it.
Painting must be fertile. It must give birth to a world.. ..it must fertilize the imagination.
In 'Birth,' I explore the nature of the new world we are approaching with my business-spiritual model, a new model for a new world. This view will enable individuals, companies and even nations to move from collapse to positive change, and bring together the spiritual and the material, giving birth to a new future.
They should bring up my record, and call it the fighter bible. The warrior bible. All those guys with padded records should read it everyday, and they should put my picture on their wall as the Jesus Christ of MMA.
The process must be concealed from - non-existent for - the photographer, who by definition need think of the art in the taking and not in the making photographs... In short, all that should be necessary to get a good picture is to take a good picture.
The priest is not made. He must be born a priest; must inherit his office. I refer to the new birth-the birth of water and the Spirit. Thus all Christians must became priests, children of God and co-heirs with Christ the Most High Priest.
Each picture with its particular environment and unique personal relationships is a world unto itself - separate and distinct. Picture makers lead dozens of lives - a life for each picture. And, by the same token, they perish a little when each picture is finished and that world comes to an end. In this respect it is a melancholy occupation.
It is not only that we want to bring about an easy labor, without risking injury to the mother or the child; we must go further. We must understand that childbirth is fundamentally a spiritual, as well as a physical, achievement. . . The birth of a child is the ultimate perfection of human love.
It is in the field of prayer that life's critical battles are lost or won. We must conquer all our circumstances there. We must first of all bring them there. We must survey them there. We must master them there. In prayer we bring our spiritual enemies into the Presence of God and we fight them there. Have you tried that? Or have you been satisfied to meet and fight your foes in the open spaces of the world?
For me, a picture should be like sparks. It must dazzle like the beauty of a woman or a poem. It must have radiance; it must be like those stones which Pyrenean shepherds use to light their pipes.
I know of no painless process for giving birth to a picture idea. When I must produce, I retire to a quiet room with a supply of cheap paper and sharp pencils; my brain knows it's going to take a beating.
I think of writing--particularly of writing picture books--as a kind of choreography. A picture book must have pace and movement and pattern. Pictures and text should, together, create the pattern, rather than simply run parallel.
You must give birth to your images. They are the future waiting to be born. Fear not the strangeness you feel. The future must enter you long before it happens. Just wait for the birth, for the the hour of the new clarity.
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