A Quote by Joan Rivers
But you do have to learn, if you want to be a satirist, you can't be part of the party. Meaning, you can't go horseback riding with Jackie O in Central Park if you're going to make a joke about her that night.
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Do I wear a helmet? Ugh. I do when I'm riding through a precarious part of town, meaning Midtown traffic. But when I'm riding on secure protected lanes or on the paths that run along the Hudson or through Central Park - no, I don't wear the dreaded helmet then.
I've been riding the carousel in Central Park since I was five years old. If I'm very depressed or if something's bothering me today, my husband, Larry, and I go back to the park. We get on the carousel horse and we start riding, and I start singing at the top of my lungs. It is pure and absolute joy and happiness.
Then you learn about composition, you learn about old masters, you form certain ideas about structure. But the inhuman activity of trying to make some kind of jump or leap, where , the painting is always saying, 'What do you want from me? I can only be a painting.' You have to go from part to part, but you shouldn't see yourself go from part to part, that's the whole point.
People want to do authentic things. They want to go horseback riding, fishing, shooting or searching for turtle nesting spots on the beach.
The thing with the comedian is you can make all the jokes you want and not every joke it going to be a winner, and not every joke is going to land, there'll be some that somebody doesn't laugh at, but that's just part of the deal.
A satirist is someone who has a very skeptical view of human nature, but who still has the optimism to make some sort of a joke out of it. However brutal that joke might be.
At a certain point the family moved to Jaipur, where no woman could avoid the doli or purdah. They kept her in the house from morning to night, either cooking or doing nothing. [My mother] hated doing nothing, she hated to cook. So she became pale and ill, and far from being concerned about her health, my grandfather said, 'Who's going to marry her now?' So my grandmother waited for my grandfather to go out, and then she dressed my mother as a man and let her go out riding with her brothers.
Other people, so I have read, treasure memorable moments in their lives: the time one climbed the Parthenon at sunrise, the summer night one met a lonely girl in Central Park and achieved with her a sweet and natural relationship, as they say in books. I too once met a girl in Central Park, but it is not much to remember. What I remember is the time John Wayne killed three men with a carbine as he was falling to the dusty street in Stagecoach, and the time the kitten found Orson Welles in the doorway in The Third Man.
Tonally, there was no discussion; I just don’t know any other way to do it. I don’t want to make people feel bad, and I don’t want to make their problems into a joke. I do love telling people when they’re right and wrong, but for the most part, it was always going to be about real fights where people have a real difference of opinion and a real dispute. I want to make jokes, but I also want to make a decision that is fair.
I wanted to be a horseback-riding trainer and to go to the Olympics as an equestrian.
I talk a lot about Jackie MacMullan. Think about the trust and the equity Jackie has built with people in this game. When you watch her work, there is such a high level of respect given. It's hard to describe it, but you can see it when players engage with her.
I wrote a book of essays about New York called 'The Colossus of New York,' but it's not about - you know, when I'm writing about rush hour or Central Park, it's not a black Central Park, it's just Central Park, and it's not a black rush hour, it's just rush hour.
I love the Park. I like to walk on the East River, too, up at Gracie Square, but Central Park is my favorite part of the city.
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
I will go back to riding one day - when I have kids. I have such amazing childhood memories of being on horseback.
Basically, we used to have a rule at 'Saturday Night Live' that you're not allowed to bring up 'The Simpsons' at the rewrite table, because 'The Simpsons' has done every joke there is. Every week there would be guys going, 'The Simpsons did that.' I go, 'C'mon.' And 'South Park,' too.
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