A Quote by Joan Rivers

The ideal beauty is a fugitive which is never found. — © Joan Rivers
The ideal beauty is a fugitive which is never found.
The great attraction of fashion is that it diverted attention from the insoluble problems of beauty and provided an easy way -- which money could buy... to a simply stated, easily reproduced ideal of beauty, however temporary that ideal.
Modernity is the transitory, the fugitive, the contingent, which make up one half of art, the other being the eternal and the immutable. This transitory fugitive element, which is constantly changing, must not be despised or neglected.
Permitted to inhabit neither the realm of the ideal nor the realm of the real, to be neither aspiration nor companion, beauty comes to us like a fugitive bird unable to fly, unable to land.
There are two kinds of beauty; there is a beauty which God gives at birth, and which withers as a flower. And there is a beauty which God grants when by His grace men are born again. That kind of beauty never vanishes but blooms eternally.
I never found beauty in longing for the impossible and never found the possible to be beyond my reach.
I have cherished the ideal of a democratic and free society in which all persons live together in harmony and with equal opportunities. It is an ideal which I hope to live for and to achieve. But if needs be, it is an ideal for which I am prepared to die.
In Brazil, there isn't just one beauty ideal. There's a lot of emphasis on a woman's natural beauty - but of course, Brazilian women love expressing their beauty through makeup.
In this same tradition, beauty is inextricably bound up with the principles of order and harmony believed to underlie the cosmos. Artists in the Classical tradition, inspired by Platonic idealism, strove to create images that represented not the world of particulars-with all its defects-but an ideal image conceived in the mind, which was taken as representing some absolute, pure, ideal form of which all particular, material forms are but a mere shadow.
Fugitive slaves were rare then, and as a fugitive slave lecturer, I had the advantage of being the first one out.
Art ought never to be considered except in its relations with its ideal beauty.
Beauty has so many charms, one knows not how to speak against it; and when it happens that a graceful figure is the habitation of a virtuous soul, when the beauty of the face speaks out the modesty and humility of the mind, and the justness of the proportion raises our thoughts up to the heart and wisdom of the great Creator, something may be allowed it,--and something to the embellishments which set it off; and yet, when the whole apology is read, it will be found at last that beauty, like truth, never is so glorious as when it goes the plainest.
There is a slow-growing beauty which only comes to perfection in old age.... I have seen sweeter smiles on a lip of seventy than I ever saw on a lip of seventeen. There is the beauty of youth, and there is also the beauty of holiness—a beauty much more seldom met; and more frequently found in the arm-chair by the fire, with grandchildren around its knee, than in the ball-room or the promenade.
The most important beauty is not that with which you were born, but the beauty of character which grows through a woman's life and maybe never stops growing.
The fault with all religions like Christianity is that they have one set of rules for all. But Hindu religion is suited to all grades of religious aspiration and progress. It contains all the ideals in their perfect form. For example, the ideal of Shanta or blessedness is to be found in Vasishtha; that of love in Krishna; that of duty in Rama and Sita; and that of intellect in Shukadeva. Study the characters of these and of other ideal men. Adopt one which suits you best.
People who have never had an ideal may hope to find one; they are in a better state than the people who allow the circumstances of life to break their ideal. To fall beneath one's ideal is to lose one's track in life; then confusion rises in the mind, and that light which one should hold high becomes covered and obscured, so that it cannot shine out to light one's path.
We discard the personal specifics which don't conform to the ideal conventional beauty created by art directors and cinematographers.
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