Television isn't inherently good or bad. You go to a bookstore, there are how many thousands of books, but how many of those do you want? Five? Television's the same way. If you're going to show people stuff, television is the way to go. Words and pictures show things.
Authenticity is a collection of choices that we have to make every day. It's about the choice to show up and be real. The choice to be honest. The choice to let our true selves be seen.
The way television works is that directors come in and out, and they're not there all the time, following every character through every scene. They're vagabonds who go from one show to another.
You have a choice. Live or die. Every breath is a choice. Every minute is a choice. Every time you don't throw yourself down the stairs, that's a choice. Every time you don't crash your car, you re-enlist.
Every actor wants to show a good and deep range, so you look at all the elements here, and you make a conscious choice of where you want to go as a performer.
You used to have to make a choice. Is it a serialized television show, or is it a stand-alone or procedural? We were wildly influenced by The X-Files. Even when we created Fringe, it was the same thing. It's the gold standard of all gold standards, in genre television, and it was so wonderful because you felt so much for those characters.
Up until the middle to late '60s, it was a choice to film in black-and-white or color. But then television became so vital to a film's finance, and television won't show black-and-white. So that killed it off, really.
My show on MTV, as outrageous as it was, it was also making a point, which was, 'Look at what we're doing here. This is something that you don't see on television every day, because you're not allowed to do this on television.'
My favorite is doing the television show, as a variety show, every week. If the show wasn't that great one week, we could always come back and apologize, you know?
It's every actor's dream to work in a hit show on Broadway and also shoot a television show.
Often actors ask me if I think they should go on trying to be an actor.
I have the same answer for everyone who asks: If you have a choice and could reasonably be happy doing something else, by all means go at once and do something else.
Acting or writing or directing in the theatre or television or screen is only for the irrecoverably diseased, those who are so smitten with the need that there is no choice.
I am guided by the vision of what I believe this show can be. Originally our goal was to uplift, enlighten, encourage and entertain through the medium of television. Now, our mission statement for The Oprah Winfrey Show is to use television to transform people's lives, to make viewers see themselves differently and to bring happiness and a sense of fulfillment into every home.
I just think, in every acting choice that you make, you've got to go for the least obvious choice.
I actually think the band doesn't need the television show. And I actually think the television show holds it back. No one at radio wants to play a band that's on a television show.
Look at every show on television; it's derivative of another show that came before it. It was only a matter of time. So all you 'Mentalist' fans, it's okay to like the show, but don't be in denial of where it came from. Friday nights, U.S.A., basic cable-style baby.
I'm inordinately proud of Smash, on so many levels. The complexity of producing that show, every week, is just incredible. As a television producer and as a Broadway producer, which I once was, I am in awe of what we can do on that show, every week.