A Quote by Joan Robinson

There is no such thing as a normal period of history. Normality is a fiction of economic textbooks. — © Joan Robinson
There is no such thing as a normal period of history. Normality is a fiction of economic textbooks.
I was beginning to understand something about normality. Normality wasn't normal. It couldn't be. If normality were normal, everybody could leave it alone. They could sit back and let normality manifest itself. But people-and especially doctors- had doubts about normality. They weren't sure normality was up the job. And so they felt inclined to give it a boost.
Normality wasn't normal. It couldn't be. If normality were normal, everybody could leave it alone. They could sit back and let normality manifest itself.
At many points during our nation's history, there have been times - known in our history textbooks as 'panics' - when adverse conditions affecting the financial and economic sectors of the country have caused individuals to hoard more than they need.
Who wouldn't like to give up normal life? I mean, normal life, you know, is the second worst thing to death itself. I think normality is something that makes everything very static, and I try to make my days, my daily routines, as uneven and rich as possible.
I wrote 'Science For Her!' because I found normal, manly science textbooks to be too intense for my small size-0 brain, and I found normal science textbooks to have covers too heavy for my dainty size-0/size-2-with-bloat hands.
I think any period in history can be adapted into interesting fiction, as long as you approach the actual history with respect.
Are public school textbooks biased? Are they censored? The answer to both is yes. And the nature of the bias is clear: Religion, traditional family values, and conservative political and economic positions have been reliably excluded from children's textbooks.
The 1950s and 1960s had been a period of enormous growth, the highest in American history, maybe in economic history.
I like to do the research of history and the creativity of writing fiction. I am creating this thing which I think is twice as difficult as writing either history or fiction.
I think it's important to humanize history; fiction can help us remember. A lot of books I've read in the past have been so much more important than textbooks - there is an emotional connection with one particular person. I'm very much of a research-is-important type of fiction writer, even for contemporary fiction. I wrote about blogs in America and I've never blogged. But I read many, many blogs - usually about feminist things, or about race, or about hair.
So much history, if you or I were to write it, could seem a fiction. These separations, these lines that tell us this is fiction or non-fiction, that this is history or this is a novel, are often useless.
Yes, I remember the barbed wire and the guard towers and the machine guns, but they became part of my normal landscape. What would be abnormal in normal times became my normality in camp.
The red carpet is kind of a surreal experience. There's nothing normal about it, so for me the most important thing is to maintain some normality right until the point you get out of the car.
Science fiction is the most important literature in the history of the world, because it's the history of ideas, the history of our civilization birthing itself. ...Science fiction is central to everything we've ever done, and people who make fun of science fiction writers don't know what they're talking about.
I am a very simple man. I love normality, and I love normal people. I love to eat normal food. It's how I grew up.
In the century-long history of Chinese science fiction, apocalyptic themes were mostly absent. This was especially true in the period before the 1990s, when Chinese science fiction, isolated from the influence of the West, developed on its own.
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