A Quote by Joan Van Ark
When you're on a long running series, you reach a very rarefied, high oxygen area and after a while to keep a show on the air they have to make some very drastic changes.
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When youre on a long running series, you reach a very rarefied, high oxygen area and after a while to keep a show on the air they have to make some very drastic changes.
As a running back, when you get the ball year after year - and I would say three years on the short end and seven on the long side - you reach a point where it seems like overnight, your body changes and you can't do what you used to do anymore. We see those drastic declines more at running back than any other position.
Alternate currents, especially of high frequencies, pass with astonishing freedom through even slightly rarefied gases. The upper strata of the air are rarefied. To reach a number of miles out into space requires the overcoming of difficulties of a merely mechanical nature.
As a writer, it's fun to create. And once you get into a long-running show with very established characters and a very established tone and format, after a while it's a really great job, but that's what it is - a job.
It's a very weird job to have as a musician, because you spend long periods of time alone and then you have to go work with people for a long period of time and present your music after you've been making it by yourself. It's a very drastic phase.
There are not that many people who can say they have been on a show long enough to leave it. Usually, you don't have a choice. The show gets canceled. There are very few people who live in the rare air of being able to leave a show while it is still in production.
It is very different hosting and judging a show like 'Love School'; it was unlike acting in a movie or series or being part of a reality show. But I keep telling myself that I have just one life, and I have to make the most of it.
We're [humans] running great risks of doing things that will not be good for us. The cost can be very high indeed if we reach the point where we can't adapt to our own increasingly rapid adaptations. We run the risk of early extinction. So this certainly isn't a triumphalist story, but it is trying to get at what, in the very long run, leads to the amazing creatures that we are.
We really put on a very high energy rock n' roll show. We don't go around with our noses in the air. We're very crazy. But I think when we did 'Bohemian Rhapsody,' people thought we take ourselves very seriously.
Then the BBC approached me in 2005 and asked me to be one of the presenters of the series 'Coast', which turned into a very long-running series.
The area of teenage life is not necessarily rarefied; we've all gone through that period. It's not as rarefied as a western or a space adventure or a gangster film, but it has its own dynamic.
Skilling is one area where some researchers are looking at outcomes and finding that while there are lots of people who are joining and completing skilling programmes, it is not getting fully translated into getting and keeping jobs. We need to understand how to fix this problem. The returns to having high quality skills are very high.
After a while some of the houseguests at Big Brother can become a little bit high maintenance so they're going to find everything to be irritating. We don't really try to show it on the show. How interesting is that? But we can make a funny story out of it when they complain, complain, complain.
The reason why it is that strong, and why HipHop is so inbred, is that there is a very structured wheel, a very definable system on how to get paid in HipHop. Busta Rhymes is someone who took that road and sure enough got paid. As long people like him are allowed to continue to do that it wont change. There is a very specific sound and a very specific attitude, and it changes every year, but as long as you stay in there and keep doing it, and keep narrowing your scope, dressing the rigt ways etc. you get paid.
When you're trying out on Broadway, it's very hectic, and you're making changes night after night. There's a lot of pressures from producers to make some changes, and you're writing for actors who are in it - and sometimes the limitations of actors who are in it.
When you've wised up enough, there is a very clear conclusion that you have to reach after a while, which is, at the end of the day, it is really impossible for one person to make a difference.
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