A Quote by Joann Sfar
I tried to take advantage of the fact that I was not used to making a movie. Movies are still so new to me so I had to use my fascination, and the fact that I'm almost a teenage filmmaker, to my advantage. And that's why I don't pretend to have made a good movie... but one that people are able to feel the love I have for this industry.
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I saw 'Avatar' in the theater eight times and I got booed for it. I'm totally serious. First of all, I love that movie. I totally love that movie, but nothing intrigues me more than the fact that it made like $2.7 billion and so how many people had to see it for it to make that much money.
Alejandro Amenábar is a very interesting filmmaker. I had really liked The Others, which was a movie he made with Nicole Kidman a few years ago. He made a very compelling case about how much he wanted me to be in this movie. Whenever a really passionate, talented filmmaker seems to have an interest in me, I take it very seriously because I like to work.
Everyone in the movie industry wants to win an Oscar. I don't think that's why you make movies. But winning an Oscar is not just about making a great movie, unfortunately. It's also having a good Oscar campaign.
For me, the reason to make the movie is that if people like the comic, then people would like the movie if it was well made. There are good movies for them, but very few. And I mean that in a true sense. If they love your story for freaking 30 years, then they can do a movie about it.
I will fall in love with any golf course that you have to drive the ball straight. You understand what I'm saying? That's my advantage. My advantage wasn't putting. In fact, I wasn't even a great putter or a good putter.
I wanna do movies that in ten years time people will respect me for, as an actor. So if I do take two years off or three years off, the next movie I have that comes out you want people to go 'ooh, that's Frankie Muniz's new movie, it's gonna be a good movie cause he's in it.
I wanna do movies that in ten years time people will respect me for, as an actor. So if I do take two years off or three years off, the next movie I have that comes out you want people to go 'ooh, that's Frankie Muniz's new movie, it's gonna be a good movie cause he's in it.'
To me, the advantage of the recorder is that it is so natural. I love the fact that it is just a piece of wood, that there are almost no mechanics involved.
You make a movie to entertain audiences. That's why you make a movie. The product sales is because people love the characters, and to me, that is a testament to how our movie has become so ingrained in family's homes all around the world and that's why I make movies.
You still get the movies made. A filmmaker can always scrape up money to do a movie. The passion drives it. And you'll get the money. Money's the easiest thing. But the hardest thing is finding a way for people to see your movie.
You get to actually make your movie. As a filmmaker, that's the dream. That's why you get up in the morning, to be able to do that. You feel constrained sometimes, but if the movie makes sense in the budget realm, then it isn't hard.
I think what's fun of making a Transformers movie is that it gets to be all of the above. I think, thematically, this movie is ... because of the third movie, you can ask questions in this movie you couldn't ask in the previous films. Like I was referring to the fact that they were abandoned by humans in the previous film; their attitude is different, so we've been able to tackle different themes.
Given that most movies are bad, and that there are whole categories and sub-categories of badness - the sequel, the Madonna Movie, the Friday 13th Series, or Movies Starring John Travolta Before Pulp Fiction - it is almost impossible to choose a single film for worst movie of all time. But strangely, I do have a nomination and I believe it is actually the worst movie ever made. It is Boxing Helena. The director is David Lynch's daughter, and the film comes with the almost insane-making faults that the family connection might imply.
I strongly feel, for me to act in any movie, the director of the movie should be known to me. Though this fact should not be important for most artists. But, you can either call me shy or traditional in my thinking - but this is an important aspect for me to sign movies.
I've tried like hell to make bad movies good, and I can't. Maybe Marlon Brando has been able to do that at times. But even he has a hard time making 'The Appaloosa' a good movie.
I like being able to bounce between writing movies for people like Kevin Sorbo to making very personal films like orange county hardcore sinister to making a movie like [Wyatt Earp and the Holy Grail: The Tale of the Three Gates], which is made for the pure pleasure of getting together with creative people and making a movie. Alex Cox would be proud.
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