A Quote by Joanna Baillie
I believe this earth on which we stand is but the vestibule to glorious mansions through which a moving crowd forever press.
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Paradise is the here and now, the actual, tangible, dogmatically real Earth on which we stand. Yes, God bless America, the Earth upon which we stand.
Doubt is the vestibule through which all must pass before they can enter into the temple of wisdom.
Where you stand today does not matter; it is the direction in which your are moving, and the rate at which you travel, that count.
We in our present generation stand on the cusp of a new and glorious dawn when mastery of these energies lies fully within our grasp as secret yields to inquiry, which yields to experimentation, which leads to verification and duplication, which, in the final course, leads to knowledge.
Ordinary facts are arranged within time, strung along its length as on a thread. There they have their antecedents and their consequences, which crowd tightly together and press hard one upon the other without any pause. This has its importance for any narrative, of which continuity and successiveness are the soul.
you said Is there anything which is dead or alive more beautiful than my body,to have in your fingers (trembling ever so little)? Looking into your eyes Nothing,i said,except the air of spring smelling of never and forever. ....and through the lattice which moved as if a hand is touched by a hand(which moved as though fingers touch a girl's breast, lightly) Do you believe in always,the wind said to the rain I am too busy with my flowers to believe,the rain answered
English literature is a glorious inheritance which is open to all - there are no barriers, no coupons, and no restrictions. In the English language and in its great writers there are great riches and treasures, of which, of course, the Bible and Shakespeare stand along on the highest platform.
I believe, in spite of all, in truth's victory. I believe in the momentous value, hereafter inviolable, of those few truly fraternal men in all the countries of the world, who, in the oscillation of national egoisms let loose, stand up and stand out, steadfast as the glorious statues of Right and Duty.
You cannot be a party which takes money from Wall Street, which is not strong on the pharmaceutical industry, which is ripping us off every day, which is not strong on health care in taking on the insurance companies, which has not shown a desire to stand up and fight the economic establishment, and then tell working families that you are on their side. People see through that.
In summer we live out of doors, and have only impulses and feelings, which are all for action, and must wait commonly for the stillness and longer nights of autumn and winter before any thought will subside; we are sensible that behind the rustling leaves, and the stacks of grain, and the bare clusters of the grape, there is the field of a wholly new life, which no man has lived; that even this earth was made for more mysterious and nobler inhabitants than men and women. In the hues of October sunsets, we see the portals to other mansions than those which we occupy.
I believe that from that Earth emerges a musical poetry, which is by the nature of its sources tonal. I believe that these sources cause to exist a phonology of music, which evolves from the universal known as the harmonic series.
Where we stand is not as important as the direction in which we are moving.
Every one on this earth should believe, amid whatever madness or moral failure, that his life and temperament have some object on the earth. Every one on the earth should believe that he has something to give to the world which cannot otherwise be given.
So I continued through my next school, which takes me up to the age of 17, moving from the bottom stream of one year into the bottom stream of the next year, all the way through. I showed other talents which gave me self-respect, which is fine.
To encounter the sacred is to be alive at the deepest center of human existence. Sacred places are the truest definitions of the earth; they stand for the earth immediately and forever; they are its flags and shields. If you would know the earth for what it really is, learn it through its sacred places. At Devil’s Tower or Canyon de Chelly or the Cahokia Mounds, you touch the pulse of the living planet; you feel its breath upon you. You become one with a spirit that pervades geologic time and space.
Glorious bouquets and storms of applause are the trimmings which every artist naturally enjoys. but to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one's own life.
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