A Quote by Joanna Coles
I probably don't conform to most people's idea of a fashion editor.
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I just fell into the job as a fashion editor at a teen magazine. I was there for two years, and I left there as a senior fashion editor at the age of 25.
I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.
I grew up around fashion - my mom was an editor for Vogue. Compared to the music industry, though, I'd say [fashion] is a little bit more disorganized. But it's exciting for me because, when you're a performer, there is a fashion element.
I wasn't a fashion editor. I was the one and only fashion editor.
My first job in the States was as a junior fashion editor at 'Harper's Bazaar,' which I enjoyed, but not for all that long because I was fired by the editor in chief, who told me that I was too 'European.'
It's incorrect to assume you can be a fashion editor because you blog, if you don't have experience to look at fashion in a professional way.
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
But for me, being an editor I've been an editor of all kinds of books being an editor of poetry has been the way in which I could give a crucial part of my time to what I love most.
Never submit an idea or chapter to an editor or publisher, no matter how much he would like you to. Writing from the approved idea is (another) gravely serious time-waster. This is your story. Try and find out what your editor wants in advance, but then try and give it to him in one piece.
When I conform to truth, I do not conform to an abstract principle; I conform to the nature of God.
I think cultures of conformity produce vast quantities of shame, both in people who simply can't conform and people who do conform, but underneath, they're not feeling conformist.
What makes a good editor is staying the hell out of the way as much as possible. ... If you're a DC or Marvel or Dark Horse or BOOM! editor who's assigning work, then if you did your job properly to begin with, then the people you've hired can be trusted to do what they do without excessive meddling. The ideal situation you're shooting for as an editor is to groom a collaborative creative team to the point where their work sails effortlessly through production and the most you have to do is fix the spelling and the commas.
There are all these languages that keep people in place that conform us to a set of terms. It's why I think the whole idea of identity as something that is something of a straitjacket. That most of us like to think of as natural and innate. That we just find and go, 'Yeah, that's who I am.'
I've always refused to buy into the idea that I should look a certain way. People say I don't conform to the idea of what an actress should look like, but I am what I am and that's fine.
No matter how much people in fashion think we're so cool and avant-garde, for most fashion people, creativity is quite taboo.
I think a lot of people have the idea of an editor being someone who comes in like a dictator, and says, "You can't have that scene." And it never is like that - or perhaps some editors are like that and they're assholes, and they're not good editors. A good editor actually says, "I respect you" and they understand that you have a vision and they're actually trying to help you realize it.
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