A Quote by Joanna Gaines
For the most part, my house stays the same over the years. I tend to design with pieces that feel timeless to me, so I'm not constantly rearranging my home.
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In every interior my firm and I design, we are always reaching for vintage pieces, and materials that feel classic and timeless. It's how I feel about fashion as well, and definitely one of the intentions I had when designing the layette collection. I'm not a fan of trends.
Most baby books also tend to romanticize the mother who stays at home, as if she really spends her entire day doing nothing but beaming at the baby and whipping up educational toys from pieces of string, rather than balancing cooing time with laundry, cleaning, shopping and cooking.
I don't know about timeless. I actually think most of what I do is completely modern, but universally modern. Who decides what timeless even means? Are the things that we consider timeless now going to, in fact, be considered timeless in 300 years? Probably not.
I simply love classic design when it's reinterpreted. These collections reflect the spirit of this design philosophy; clean pared down lines and forms rooted in tradition yet made to feel new and modern with unexpected or stylized scale, finishes and detailing. This contemporary take on tradition creates a look that's at once current yet timeless, fresh yet familiar…the essence of both beautiful design and a beautifully designed home.
California is very much my home, and has been for the last eight yeas. It doesn't matter where I am, the inner me stays the same, home is wherever I happen to be living with Tracey, my companion of the last eighteen years.
In some ways, my most comfortable feeling has been that of being an outsider coming in, but over the years I've tired of that and I'm ready to feel at home. That's what music gives me: a feeling of absolute home.
When you make timeless music - and I like to think that's what I'm doing - the fun part is picking the songs. You can clip and flop and mix and match, and when the record is timeless and it feels good, you know it's going to have the same appeal whether you put it out now or 10 years from now. That's what I'm about.
When I design the clothes, I have a very good team around me, showing me different pieces and cuts. I'm very involved in the process, I go to L.A. and get onto the design floor, and I help pick out the best pieces.
I am constantly amazed at the musicians that are able to do the same thing over and over for 20 or more years. That would drive me absolutely insane.
We can see an anthill or a roach or a flower or anything, but we have this frame where our mind recognizes an anthill and then moves on, without taking the opportunity to have the sense of awe that we could have if we really looked at it. The montage is about taking pieces of reality and rearranging them - creating new frames to make you have to stop and look at things in a fresh way. It's basically taking pieces of everyday reality and rearranging them to show people the magic that is inherent in all of these things already.
My former assistant used to tell me I have a problem with cushions and she was totally right. The reason is because I'm constantly rearranging things in my house. And if I can't move a whole piece of furniture, the easiest thing to rearrange is cushions. I like to keep things fresh.
'Free Bird' is timeless, 'Sweet Home' is timeless. They're just timeless songs.
Rating systems work perfectly for players who play only in round robin closed events. I think most of them are overrated. Organizers invite same people over and over because they have the same rating and their rating stays high.
Home is a relative concept for me. I've been in Los Angeles 10 years, and I definitely feel at home here, but I also feel at home in a lot of places. I'm not too attached to anywhere, really. Home is where the people you love are at the time.
One of my fondest memories was when I was in London as a young, independent businesswoman and stayed at Claridge's. I knew I had made it. To me, Claridge's is the most glamourous hotel in the world; I regard it as my home away from home. I am honoured to become part of the hotel's legacy and rich design history.
I have lived in one house in Baltimore for nearly forty-five years. It has changed in that time, as I have - but somehow it still remains the same. No conceivable decorator's masterpiece could give me the same ease. It is as much a part of me as my two hands. If I had to leave it I'd be as certainly crippled as if I lost a leg.
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