A Quote by Joanna Garcia
I enjoyed 'Gossip Girl' so much. I cannot tell you how impressed I am with the cast of that show. I was so intimidated doing that show because I thought, 'Oh my gosh, those people are so young and gorgeous, and I'm a million years old, and I need a spray tan, and I'm going to be wearing all these fabulous clothes.'
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An older guy, he's going to show you things that a young man can't show you. He's going to show you how to stay alive. He's going to show you how to turn corners where your young friends will show you how to turn right into that wall, you know what I'm saying?
You'd look out and there'd be little babies watching the show, and boys and girls. They loved the cowboys, and they loved Annie. There were young people seeing the show for the first time. I stayed for two years because I enjoyed it so much.
I still get butterflies when I'm doing a runway show. The music starts, you're wearing these gorgeous clothes and your nervous about your high heels, if your shoes are going to break, if your going to slip or do something wrong.
I don't know much about writing a show or being a show-runner on a show, but I can only imagine that when you first cast a show and you first do a pilot, there are so many components that you're throwing into the mix and you're not sure how they're going to develop.
Even when I first started modeling, my loyalty to those girls like Molly Goddard, Ashley Williams, and Dilara Findikoglu was important. I like to support them as much as I can. For me, it's as important to walk in their show or wearing their clothes as it is doing a Marc Jacobs show.
What I'm wearing changes everything about how the show goes. If I'm wearing blue jeans and flannel, it's going to be a country show, and I'm going to get my twang on. But if I'm wearing a flapper dress, fringe or sequins, I'm rocking out, Tina Turner style.
I've thought my show would be a sitcom or a talk show. Never in a million years would I have thought my show would be docu-series/reality because you always think reality is something crazy.
It's interesting: I went 25 years without watching a single television show. I was one of those people, because I was so inside how a television show was made, if I would turn on somebody else's show, I would sit there and analyze it, like, 'Oh, so they had four hours in this location and had to get out and the number of set-ups, etc.'
One of the things I've learned - before I would go on a show, I was like, "Oh God, I hate that show" or "That show is gonna get canceled." But now after being full-time on a show, you see how difficult it is and how much work goes into it and how so many decisions are based on finances or people's schedules or talent or location issues. It's a miracle that anything gets made.
I feel like 'Gossip Girl' isn't really 'Gossip Girl' anymore when they're away at school because they don't go to NYU; they go to, like, Yale and Brown. New York City is just as much a character as anyone else in the books, and I was really sort of reluctant to show them off in their separate college worlds.
I thought that I was going to have to pay them to do what I wanted to do, that was how much fun I was having. You're 20 years old and you're hanging out with rock stars and going to fabulous parties, and then you talk about it!
For years, people have been trying to talk to me about doing a show, and I wouldn't do one because I'm a serious business guy. I'm not going to do a stupid show. So, the opportunity came up with CNBC, and we started talking. It became a real business show. It's educational, people watch it, and it's great for small business.
I enjoyed a cartoon show called 'Recess' throughout my high school career. The target audience for that show was 8-11 years old.
America is a nation of 270 million people: 100 million of them are gangsters, another 100 million are hustlers, 50 million are complete lunatics, and every single one of us is secretly in show business. Isn't that fabulous?
You know, 'The Golden Girls' was a very unusual show to start on. I was young, and it was a show about old people, and it was a very traditional show, but it was also an amazing training ground for a joke-writer. It forced me to learn those skills.
When you look at the runway now, the girls are 15 and 16 years old with no knowledge of clothes, no idea how to project themselves. I was trained how to show off the dress, how to move to make the clothes look better.
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