A Quote by Joanna Going

I had a wonderful time making 'Dark Shadows.' — © Joanna Going
I had a wonderful time making 'Dark Shadows.'
Many places in the Bronx seem hidden in shadows, just as the Bronx itself is in Manhattan's shadow. And dark stories develop best in dark shadows.
Every time that I'm in the dark, I imagine what might be lurking in the shadows. It's kind of like a drug in that way - darkness seems to change the way I think - making me way more prone to fear.
Life is all about making choices and I'm very happy with mine. I have had a wonderful time raising four children and I've also been lucky to have the support of a wonderful husband.
Obscure shadows on the mind are much scarier than the dark shadows of the night.
You know... the wonderful thing about Dark Shadows, the thing about going and looking back at it. It was so sucsessful at creating its own world.
John [Cassavetes] had shot a great deal of Shadows and I had to go fulfill my contract in California, so he and all the rest of the Shadows cast came out to California and they finished it off and he cut it. He turned the garage into an editing room and he was by then a director of Shadows. That's the only thing he'd directed. But, he loved it.
Below us the Thames grew lighter, and all around below were the shadows - the dark shadows of buildings and bridges that formed the base of this dreadful masterpiece.
When I was a wee little kid, I used to watch 'Dark Shadows' all the time, so I was a Barnabas Collins fan.
There was a time when I was a huge TV addict. I used to race home from school to watch 'Dark Shadows.'
She closed her eyes, dark-lidded, dark shadows beneath them; she really was older, not the glancing-eyed girl I had fallen in love with but no less beautiful for that; beautiful now in a way that less excited my senses than tore at my very heart.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
I get people to this day - I won my title 25 years ago - saying how wonderful a time they had during that dark period in our history when they came to watch me fight.
Three Rings for the Elven-kings under the sky, Seven for the Dwarf-lords in halls of stone, Nine for Mortal Men, doomed to die, One for the Dark Lord on his dark throne In the Land of Mordor where the Shadows lie. One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them. In the Land of Mordor where the Shadows lie.
The dark does not destroy the light; it defines it. It's our fear of the dark that casts our joy into the shadows.
Living in a culture that prefers to shut out the dark, avoid shadows, and anesthetize pain means that many people are isolated. ... Family, friends, and co-workers, fearful of the dark, are reluctant to participate in our shadow experience and may urge us to be done with the dark before it is done with us.
An optimist is a person who sees only the lights in the picture, whereas a pessimist sees only the shadows. An idealist, however, is one who sees the light and the shadows, but in addition sees something else: the possibility of changing the picture, of making the lights prevail over the shadows.
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