A Quote by Joanna Kerns

I act here and there but you have to commit so far out in advance when you're directing that you - I'm kind of booked six months out, so it's hard. — © Joanna Kerns
I act here and there but you have to commit so far out in advance when you're directing that you - I'm kind of booked six months out, so it's hard.
I'd like to work more as a director. It's distracting being an actor, because - there's a lot of reasons. You find out you're going to work about six months before you start shooting, and then there's prep and there's post afterward, and there's stuff to do, and then suddenly you've gone a year without directing. There's a part of me that has to not be tempted by that in order to commit more to the directing. Honestly, the big reason for me to act is to observe other directors and learn from them. That seems to be the biggest draw.
I had never imagined that after coming to Mumbai that, as an actor, my dates would be booked in six-eight months in advance.
In fact, one was so booked out we went from March and were to go till November, but the pantomime was booked so they transferred the show to the Prince of Wales Theatre because it was so packed out, and it ran on from there.
Just getting paid for six months out of the year is unacceptable in any kind of job.
I dropped out of Reed College [Portland, Oregon] after the first six months, but then stayed around as a drop-in for another 18 months or so before I really quit. So why did I drop out?
I met Ashley two weeks before I married him. It was a joke-the most ridiculous thing I've ever done. Once I was married, I didn't want to be a failure, so I stuck it out for six months, which was about six months too long.
Six months after I moved to L.A., I booked the ABC pilot 'Commander-in-Chief' with Geena Davis. I played her son.
I'd only been out for, like, six months before I booked 'Insurgent'. It was my first role in America, and it was a huge movie franchise. All I'd ever hear at the time was how Hollywood treated gay men or queer men, so I was, like, 'Well, I'm not going to shoot myself in the foot before I've even started life here,' you know?
I was once being interviewed by Barbara Walters. In between two of the segments she asked me: "But what would you do if the doctor gave you only six months to live?" I said, "Type faster." This was widely quoted, but the "six months" was changed to "six minutes," which bothered me. It's "six months."
If the business were a play, Act One is: Woohoo, bright and bushy-tailed. We're going to make something great! Act Two is: We're six months behind on back-end development. We're trying to raise venture capital. We're trying to figure out what furniture we should sell to make payroll.
I love to direct! I get really jazzed by directing, but directing is not the same kind of personal expression, the same kind of personal intimate expression that writing is. Because when you're directing, you're basically managing, basically getting out of people doing their job, except when you see them going astray.
I don't do anything unless I think about it six months in advance.
I've had a different kind of career on the periphery of show business. I've never been on any kind of corporate timetable whereby every six months I have to pop out a record like a pulping mill. I've called my own shots. When I get tired, I take time off.
If you want to train and work hard 3 months out of the year, well, then, UNI is a great place to go. If you want to bust your tail 6 months out of the year, you should be very happy at ISU. But if you want to train and develop into a champion 12 months out of the year, then Iowa is the place for you.
The good thing about being an actress is that it's very children-friendly. I can work for three months and then I can have six months off. And then I can work for six months and have six months off.
To work for months and months and months, you kind of spill blood and give your heart and soul to something, and then you just sort of let it out into the universe and hope that people like it.
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