A Quote by Joanne Froggatt

When something is dramatized it provokes a much more emotive response than just hearing a story on the news. — © Joanne Froggatt
When something is dramatized it provokes a much more emotive response than just hearing a story on the news.
When something is dramatized, it provokes a much more emotive response than just hearing a story on the news.
I set a rule that people weren't allowed to send good news unless they sent around an equal amount of bad news. We had to get a balanced picture. In fact, I kind of favored just hearing about the accounts we were losing because ... bad news is generally more actionable than good news.
Since hearing beauty in something is essentially a positive response and hearing ugliness is negative, might it ultimately be more difficult for an open-minded listener to define ugliness than it is to define beauty?
I don't have synesthesia, but I think when music is really intense, it's almost like it's more than just hearing. If you're at a gig, and there's just something amazing going on, it's not really just hearing: it's more of a total body sense, isn't it? You get transported, and all your senses kind of join up.
The news media reported the $250 million as an unthinkably huge waste of money and proclaimed that something was wrong with NASA. The result was an investigation and a congressional hearing. Not to defend failure, but $250 million is not much more than the cost to produce Kevin Costner's film flop Waterworld.
Eventually, while researching, you'll learn something you didn't want to know. Some fact that ruins a plotline you had in mind. The good news is that sometimes, learning all the facts can make for a much more interesting story than you originally had in mind.
The gaslight of the film [The Girl On The Train] became something that really needed to be dramatized more than the book did, because it wasn't going to read as strongly on screen.
We have bred multiple generations of people who have not experienced knowing where you are the moment a news story broke, with that news story being great and grand and something that elevates society instead of diminishes it.
When I was younger I was influenced by Kanye, his story of coming up and how he kept producing and producing and saying, 'I'm more than just a producer. I'm more than just a writer. I'm more than just a guy in the studio here to give you ideas. I have a story.'
I see my work as having a relationship to the visual world, not just some emotive residue of my feelings. It relates to something that exists, or might exist, rather than a transcendent mental state or something like that.
But me contradicting a news story is not going to make my words fact. It will just create a new news story.
Now your kids can't escape. Thirteen-year-olds back then, if they didn't watch the evening news, they didn't see news. If they didn't watch the 6:30 or seven p.m. news, they didn't see news. Today younger people have much more access to that kind of hard news than you did when you were 13 back then.
The weakness of cable news is that it chases its audience around. Your audience wants fast-paced, popular news. It needs real news. Cable news changes its stripes based on audience reaction. Viewers are reacting well to breaking news? You probably do more breaking news than you need to. The struggle is building something so that people will come to you, as opposed to constantly changing what you are because you're unsure of where the audience is.
My family and I are heartbroken after hearing the news that more than 100 innocent children and teachers have lost their lives...
I remember hearing songs from the Mother Love Bone album, and hearing Alice in Chains, and feeling like this is more than just a fad or moment.
A good story, just like a good sentence, does more than one job at once. That's what literature is: a story that does more than tell a story, a story that manages to reflect in some way the multilayered texture of life itself.
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