A Quote by Joanne Froggatt

You can have a great script, and it can be a great show, but for whatever reason, it just doesn't take the public's interest. — © Joanne Froggatt
You can have a great script, and it can be a great show, but for whatever reason, it just doesn't take the public's interest.
Magic has power to experience and fathom things which are inaccessible to human reason. For magic is a great secret wisdom, just as reason is a great public folly.
I think the script is the key. Regardless of how great everybody else is working on a film, if you're working on a script that you don't think is great, you're not gonna be able to make a great film. Whereas if the script is great, then you can.
I've seen a lot of friends who have a lot of great projects, whether it's a script or a play or whatever, and it is a great project and they have great people involved, and they can't make it.
You can have a great script, or a great director and a bad script, and get a great movie. Nothing really guarantees anything.
Sometimes during a show or a film, while you're shooting it, you'll think, "This is great, it's going to be fantastic, the script is incredible, and the actors are great, and everything is working out brilliantly." And then you see it, and you kind of go, "Oh god, it's not as good as I thought it was," and it doesn't get an audience to watch it. It only does a couple of festivals and then dies and whatever.
You can start with a great director and great actors and have a great script - and it still just doesn't work. It's kind of a mystery how that happens.
The great thing I think when you do independents is that people are really there for the same reason. They're not there because they got a lot of money and they want to just go home and get it over with. They're there because they believe in the script or the director or the cast or whatever it is, and they want to make it work.
It could be a great script but the director is not the right person for me to work for at this time. So there are a lot of elements that come into play and a lot of variables, but more than anything it's got to be a great script and a great character.
I don't see how it's a risky thing to take a great part with a great director and a great script. That, to me, is not really a dangerous, risky proposition. It's actually a really good choice.
I believe that a good comic script can succeed despite being drawn badly, but that a bad script can't be saved by good art. Of course, great writing and great illustration makes for a great comic 100 percent of the time.
'Liberace's a great film. It's a great piece of material. I have a great script and it's a great score.
Just play the moment, that's the fun of it. You just play the moment. It's great writing and very clever writing, I think it's witty. And I have those great clothes. You have a great, witty, intelligent script and you look like a million dollars, because we have a great costumer, and it's a pretty good place to begin.
When I read [the script] and saw that it was my fanboy wet dream of an Avengers script and that [Agent] Coulson was a big part of it, that was the great day for me. I just drove around the streets with the script in the other seat, giggling.
What I normally do with recording, performing, and touring is my name. It's all on my shoulders. If it's a great show, I'm great. If it's not a great show, I'm not great.
This is what I believe about performing: There is no reason to be on stage - there is no reason to be there - if you're not going to put all your baggage somewhere else and just be honest. Whatever you're doing - screw it up, do great - just be there, and be honest. That's the most important thing.
Writing a great script - not just a good one, but a great one - is almost an impossible task.
This site uses cookies to ensure you get the best experience. More info...
Got it!