A Quote by Joao Moutinho

I joke every day, pranks, sometimes. — © Joao Moutinho
I joke every day, pranks, sometimes.
I like that we don't have to come out the first 10 minutes and score, you know, with joke, joke, joke. We can open it in a more novel way and keep playing different pranks as we go through the thing.
Pranks vs school = pranks win all day.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
Especially working with Adam Brody, he's just so funny in every day life. Working with him is a lot of fun. We play pranks on each other.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
To go from Girl, Interrupted, where I had to cry every day, to a TV show like West Wing where I get to laugh and joke around every day, has been a welcome relief.
I work every day. Sometimes I don't accomplish anything every day, but if I don't work every day, I get depressed and get afraid to start again. So I do something every day.
I guess when I was a kid I wasn't the type of person playing a lot of pranks. I was the type of person upon whom pranks were pulled.
You can sometimes sneak a political joke in, which is sometimes the most effective place for a political joke - when it's not expected. It's just the most fun thing to do.
I don't see much point in doing things for a pure joke. Every now and then you need a joke, but not so much as the people who spend all their lives constructing joke palaces think you do.
There's this joke that Anna Drezen wrote for Melissa Villasenor, where Melissa plays every teen-girl murder suspect on Law & Order.' And there's this joke in there that is like, We stabbed her as a joke, but she took it the wrong way and started bleeding!'
The thing with the comedian is you can make all the jokes you want and not every joke it going to be a winner, and not every joke is going to land, there'll be some that somebody doesn't laugh at, but that's just part of the deal.
'Drake and Josh' was strictly nine to five. We'd go in and know what we were doing, and 'Superhero Movie' was just nuttiness every day because there's a joke every ten seconds.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
When I was governor, if I told a joke in front of the press - I learned. I would go, "That was a joke, joke, joke," and I'd say it three times.
When you write something, at first you might feel very defensive and protective of every single thing, but after a while, you just see what works and what doesn't. Sometimes you do test screenings, and an audience tells you that, or sometimes you eventually just go, 'Let's cut the joke out.'
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