A Quote by Joaquin Phoenix

Do I have a large frog in my hair? I have the sensation that something is eating my brain. — © Joaquin Phoenix
Do I have a large frog in my hair? I have the sensation that something is eating my brain.
Frog has no nerves. Frog is as old as a cockroach. Frog is my father's genitals. Frog is a malformed doorknob. Frog is a soft bag of green.
In restaurants where they serve frog's legs, what do they do with the rest of the frog? Do they just throw it away? You never see "frog torsos" on the menu. Is there actually a garbage can full of frog bodies in the alley? I wouldn't want to be a homeless guy looking for an unfinished cheeseburger and open the lid on that
Some hours after eating this dish [lièvre à la royale, which contains 20 cloves of garlic and twice that quantity of shallots], there is a peculiar sensation of liberation in the head. and it is sensation of smell.
If you throw a frog in a pot of boiling water, it will hop right out. But if you put that frog in a pot of tepid water and slowly warm it, the frog doesn't figure out what going on until it's too late. Boiled frog. It's just a metter of working by slow degrees.
My parents used to call me 'The Little Frog,' because whenever they asked how I knew something, I'd say 'read it,' which sounds a bit like a frog croak.
But one wants the idea of Death, you know, as something large and unknowable, something that allows a person to stretch himself out. Especially one wants it if one is tired. Or perhaps what one wants is simply a release from sensation, from all consciousness for ever.
Here's the number one reason Americans are heavy: The brain, very smartly, wants nutrition. But the average American is not eating nutrients; he or she is eating empty calories. So you finish that 2,000 calories and your brain says, Keep going until you get nutrients.
What's clarity like? Try to remember that funny feeling inside your head when you had math problems too difficult to solve: the faint buzzing noise in your ears, a heaviness on both sides of your skull, and the sensation that your brain is twitching inside your cranium like a fish on the beach. This is the opposite sensation of clarity. Yet for many people of my era, as they aged, this sensation became the dominant sensation of their lives. It was as though day-to-day twentieth century living had become an unsolvable algebraic equation.
There's part of our brain that we shut off when we're in the studio. There's part of our brain that we turn on when we are out doing an interview or promoting something or waking up at six in the morning for hair and makeup.
A man with so large a brain must have something in it.
Do you know the story of the scorpion and the frog? You know, the frog agrees to carry the scorpion across the river, because the scorpion promises not to sting him. And then the scorpion stings the frog, half way across the river. The drowning frog asks him why he did it, when they'll both drown, and the scorpion says that he's a scorpion, and it's his nature to sting.
The sensation of writing a book is the sensation of spinning, blinded by love and daring. It is the sensation of rearing and peering from the bent tip of a grass blade, looking for a route.
A lot of people have used the frog splash over the years. Every one else that used it is a four star frog splash, when RVD did it, it became a five star frog splash.
"How does one conquer fear, Don B.?" "One takes a frog and sews it to one's shoe," he said. "The left or the right?" Don B. gave me a pitying look. "Well, you'd look mighty funny going down the street with only one frog sewed to your shoes, wouldn't you?" he said. "One frog on each shoe."
I have little hair because my brain is so big it pushes the hair out.
Analysing comedy is like dissecting a frog. Nobody laughs and the frog dies.
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