A Quote by Joaquin Phoenix
The expectation is this low, gravelly voice for John, but I went through his early recordings and there were songs in there where the voice was so different, I wasn't even sure if it was him singing, ... So it was interesting to me that we would see him develop the Man in Black sound. I thought it was really important that his voice change as his persona slowly solidified. The music was really the doorway into the character.
Related Quotes
Rachel,” came a raspy voice from the upper level, and both Trent and I turned. It was Quen, wrapped in a blanket as if it was a death shroud, the black-haired intern at his side, supporting him. His hair was plastered to his skull with sweat, and I could see him wavering as he stood there. “Don’t touch Trenton,” he said, his gravelly voice clear in the hush, “or I’m going to have to come down there…and smack you around.
When I think about Oz, when he was a teenager, I'm just reminded of what an excellent blues voice he had. He had a large voice. When we did the Aynsley Dunbar song 'Warning' and 'Black Sabbath,' his voice is so right. It's really round, and it has that pain from within in his voice.
Peter stood, cleared his throat, and began to hum softly, then sing, slowly building up the song as his voice cleared. He found the old tune, the song of the Sunbird. And as he sung, as his rich voice echoed off the tall cliffs, the birds and the faeries lent him their voice and soon the tune drifted throughtout the garden.
When I first heard John Smith my attention was captured by his sweet, earthy voice and fine craftsmanship, but what drew me in was his heart. It's clear that he's lived the pain in his songs and that his optimism is hope born of wisdom. That's a rare thing and a gift to all who hear him.
The most tragic consequence of our criticism of a man is to block his way to humiliation and grace, precisely to drive him into the mechanisms of self justification and into his faults instead of freeing him from them. For him, our voice drowns the voice of God.
Sometimes he caught himself listening to the sound of his own voice. He thought that in her eyes he would ascent to an angelical stature; and, as he attached the fervent nature of his companion more and more closely to him, he heard the strange impersonal voice which he recognised as his own, insisting on the soul's incurable lonliness. We cannot give ourselves, it said: we are our own.
I think Freddie Mercury is probably the best of all time in terms of a rock voice. There was a vulnerability to it, his technical ability was amazing, and so much of his personality would come out through his voice. I'm not even a guy to buy Queen records, really, and I still think he's one of the best.
I've never been more moved by a voice than I have been by Roy Orbison. I loved him personally, and I loved his voice. I think of him often and frequently listen to his songs.
That to me was really, certainly, the gateway into discovering John, ... I feel I found the speaking voice through the singing voice.
Hormone replacement therapy does not change or affect your voice. And I have no problem with my voice: I really like my singing voice, I don't feel any dysphoria with my talking voice.
Cee Lo - to me, his voice is classic; I've personally said to him before, 'For me, your voice is as special as a Michael Jackson vocal,' because of what he can do, his range. I said that to him, and I mean that.
Tired of me already?" he asked with a smile in his voice. "No quite yet. You?" His eyes darkened, and he kissed her again. "Never." Her heart skipped a beat. "Never is a long time," she said. His voice was low, fierce. And very sure. "That's what I'm counting on.
I love you," she sobbed, rubbing her hands over his face, his hair, his chest, making sure he was solid and real. "I love you, and I thought you were dead. I couldn't bear it. I thought I would die too." "I'd walk through fire for you," he rasped, his voice hoarse and broken. "I have walked through fire for you.
His hand took hold of hers, and as she said something low in his ear he turned toward her with a rush of emotion. I think that voice held him most, with its fluctuating, feverish warmth, because it couldn’t be over-dreamed —that voice was a deathless song.
At home, a man is entitled to raise his voice maybe once a year, if something really gets under his skin. At work, it's different. I raise my voice all the time. Not out of malice, but to get things right. It's never personal.
The voice is not only indicative of man's character, but it is the expression of his spirit. Other sounds can be louder than the voice, but no sound can be more living.
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