A Quote by Joaquin Phoenix

If you walk into a room and one hundred people say, 'You are a lovely, beautiful person', who isn't going to be affected by that? But you have to tell yourself not to value that. You have to tell yourself - or at least I do - to not become accustomed to hearing applause in any way, because I think that's dangerous.
To tell the truth is to become beautiful, to begin to love yourself, value yourself. And that's political, in its most profound way.
You can't tell young people what to do. You can't tell 'em because they'll look at you and say, 'Well, how can you tell me not to do that when you were there doing it yourself?' Or supposedly were doing it yourself. I think you must let everyone live their life the way they have to.
Tell me, when do you become a respectable person in society? When you start respecting yourself. That is when you take care of yourself, that is when you comb your hair, groom yourself, and cleanse your body. You do all this because you respect yourself.
If you surround yourself with the wrong people, if you surround yourself with people that constantly tell you how great you are and never tell you the truth and just tell you what you want to hear, I would imagine it would be very easy to get above yourself.
'Black' is an adjective, in my book, and the way I use it, sometimes I'll say 'black people.' But if I'm talking about a person, I'm going to say 'a Negro,' because I was taught to say that, and I don't see any reason to change it. I don't think that gives pride or anything else. I don't think you get pride by calling yourself this or that.
"Don't believe me, don't believe yourself, and don't believe anybody else." Don't believe me, because what I say is only truth for me. Don't believe yourself, because most of the time what you tell yourself is only truth for you - especially when you tell yourself that you're not good enough, you're not intelligent enough, you're not beautiful enough - when you reject yourself before anybody else can reject you. And don't believe anybody else, because what they say is only truth for them.
I think the style Plimpton popularized - the dive-in, try-it-yourself journalism - is appealing and useful for a number of reasons, not the least of which is the value of an outsider's view into a little-known or misunderstood subculture. I tried to do the same thing with my book - tap into a pocket of American life that few people have any idea about, and tell the real, unvarnished truth about it in a way that was open-minded and authentic.
The difference between writing where you know where to draw the line and writing where you're being way too mean is whether you can tell that the writer is not talking to family or friends anymore. Generally, if you say something bad about somebody on stage, you need to say two bad things about yourself. A lot of times, I think I'm the worst person in the room.
You can be the most beautiful woman in the world and see yourself as hideous. You must love yourself. To look in the mirror and tell yourself that you're a rock star.
I can tell any liberal why he or she thinks what they think. I can predict to them what their reaction to any event or person is going to be, because I know them, because I have taken the time because I'm curious to study it. I know what liberalism is. I know from where it springs and derives, and I know the vast majority of people who are liberals, what they are going to do, say, and think about.
I made a conscious decision not to tell anyone in my life. Now I tell people - don't tell anyone your idea until you have invested enough of yourself in it that you are not going to turn back. When a person has an idea at that conception moment it is the most vulnerable - one negative comment could knock you off course.
There's going to be a million people that tell you 'No' when you're starting out to do something. But, all you need is that one person to tell you 'Yes,' who's going to believe in you. But first, you need to believe in yourself.
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
There are many things in your heart you can never tell to another person. They are you, your private joys and sorrows, and you can never tell them. You cheapen yourself, the inside of yourself, when you tell them.
I think the most important thing is to be yourself and be genuine and don't try to tell anybody else's story but your own. And if it comes from a genuine place, I think people can tell, and if it doesn't, I think people can tell, and I think that eventually it shows.
I think for most actors, because we sort of have to tell ourselves this, we always say, 'Oh, it doesn't mean anything to win an Oscar!' It certainly isn't a goal that you want to set yourself up for, because then you're just setting yourself up for disaster. Because how many people actually win an Oscar?
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