A Quote by Joaquin Phoenix

It's an amazing feeling to go into a studio and really be alone. — © Joaquin Phoenix
It's an amazing feeling to go into a studio and really be alone.
It's really an amazing feeling because you're flying in a car that's on stage and to be this age also, and in the theater and then with a huge audience of 1,800 people backing you up and cheering you on. It's a really amazing feeling.
What's the coolest thing in the world is when you have fans that know the lyrics to your songs. That's amazing! Such a great feeling! When I go out there and am playing "Grinnin' In Your Face" and people are singing the lyrics to it, that's amazing to me. I'm actually taking a song where people wouldn't know it, and I'm bringing it back. It's a really cool feeling.
Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.
I'm not a guy to go in the studio and spend months, let alone years, like some people do. I cannot even be in the studio for a month, it will drive me nuts.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
I get the feeling that sometimes the ideas work very well when you're doing them in the studio alone.
So for my studio purposes, I know that I'm in my studio with technicians who've done amazing things to my board and to my power amps and I know what I can deliver out of my studio.
We used to go to Studio 54 - an amazing place.
When they don't have your back on a show, it's the worst feeling ever. That energy trickles down to the cast and crew. You can feel when it's not gonna be a winner. But when you have the support of the network and the studio, it's a really good feeling.
If you push through that feeling of being scared, that feeling of taking risk, really amazing things can happen.
You have a feeling when you're recording, like, 'This is gonna translate really well,' and when you see it live, and it kind of proves that, that's an amazing feeling.
Every time I stepped onto the stage as Jesus, it felt like someone was pouring some honey into my body. It was amazing, an amazing feeling. And then when I had to let go of it, it was hard.
It's been amazing getting to go from city to city and perform for thousands of people. It's an amazing feeling, and the energy is crazy.
We like the ambiance and atmosphere, and we felt really early that... I mean, of course, Air is an electronic band, but we are doing so many real recordings and the studio is so important for the sound. The acoustics create atmosphere and emotion. Also we want to be independent, we don't want to be obliged to go into a commercial studio and only stay one week because it's really expensive. We want to be able to give a chance to a song, and to spend a lot of time in the studio.
There were two recording studios in Bellingham. One was really expensive, a "nice studio." We were at the point where we were young and irreverent. We would scoff at the idea of a nice studio. "Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that's really fancy. Well we've got an eight-track. We've got it going on here." Now that we have the resources, we're like, "Oh wow, a nice studio is pretty nice! They do have nice outboards here. It's actually a pretty good place." It's funny how much changes so quickly.
What is it that an artist does when he is left alone in his studio? My conclusion was that if I was an artist and I was in the studio, then everything I was doing in the studio should be art . . . . From that point on, art became more of an activity and less of a product.
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