A Quote by Joaquin Phoenix

I guess my experience with some stuff is kind of abstract. — © Joaquin Phoenix
I guess my experience with some stuff is kind of abstract.
What interests me is all the stuff that goes into abstract and abstract-figurative art. Not the styles, but the stuff that, in various combinations, make the styles: mixing and matching painting methods and ideas.
I was an abstract expressionist before I had seen any abstract expressionist paintings. I started when I was a kid and continued just doing abstract stuff all through high school.
What I had been taught all my life was not true: experience is not the best teacher! Some people learn and grow as a result of their experience; some people don't. Everybody has some kind of experience. It's what you do with that experience that matters.
I guess I'm kind of a sucker for the emotion of music. I guess it's kind of odd, but it's the way I appreciate music. I present my stuff that way as well.
I guess I have no motivation to make an abstract painting, even if they sometimes read as abstract. I think, with abstraction, it's easy to fall into a sort of pastiche.
Like the song "Stereo", to me that's like, kind of hip-hop in that slacker way. There's some slackerisms mixed in with that stuff, but it wasn't really conscious, I guess. When things would get more typical rock'n'roll that was my fallback to go to those kind of lyrics instead of the alternatives.
There are definitely connections between poems, but I wanted each to stand on its own. I guess it goes back to the idea of trying to zoom in and out, and to modulate, so there are different ways of looking at any experience for the reader. Even having short poems and long poems - there has to be some kind of variation in the experience of reading as a whole.
I've got this thing where I always kind of diss the older stuff and favor the newer stuff. I mean, it's not just my thing; every artist or musician is like that, I guess.
First you guess. Don't laugh, this is the most important step. Then you compute the consequences. Compare the consequences to experience. If it disagrees with experience, the guess is wrong. In that simple statement is the key to science. It doesn't matter how beautiful your guess is or how smart you are or what your name is. If it disagrees with experience, it's wrong. That's all there is to it.
I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
I'm an actor. And I guess I've done so many movies I've achieved some high visibility. But a star? I guess I still think of myself as kind of a worker ant.
For some people, maybe my artwork just seems like fantasy or something. However, if you have had any kind of a mystical or cosmic experience, I guess, then people seem to recognize the territory.
I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
Corruption is a fact of life in America as in Afganistan, but as American citizens, if we are white, we tend to experience it as an opportunity cost. I live in Washington, DC, where the city council is notoriously corrupt. But how do I experience that? Maybe in streets that are not as well paved as they could be, maybe in a bridge that costs a lot more money than it should have. That's a little bit abstract - shocking, of course - but still abstract.
I guess I'm fascinated with motion because I find that whenever anything is moving, I have some feeling about it. It doesn't matter what kind of motion it is. A motion will always evoke some kind of reaction.
I'm always going back and forth between wanting to do stuff that's abstract and stuff that's just telling everybody to listen.
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