A Quote by Joaquin Phoenix

For me, I guess I'm the acting equivalent of somebody that jumps off buildings and parachutes. — © Joaquin Phoenix
For me, I guess I'm the acting equivalent of somebody that jumps off buildings and parachutes.
Tonight, the new Viper, which is the American equivalent of a sportscar in the same way, I guess, that George Bush is the equivalent of a President.
Excuse me, guess I've mistaken you for somebody else, somebody who gave a damn, somebody more like myself.
Sometimes 'great acting' is just showing off - chewing up scenery and dialogue and other actors - the equivalent of a theatrical sugar rush.
I'm almost there, almost to the barricade, when I thinks she hears me. Because for just a moment, she catches sight of me, her lips form my name. And that's when the rest of the parachutes go off.
We're all gonna land, we don't have rocket packs that last forever. But these things that we love, these things that give us purpose, these moments along the way are our parachutes. So I feel very fortunate to have all of these. Art and my family are pretty much my biggest parachutes.
Let me put it this way. There is more to acting than just acting like somebody. I like to act in such a way that other people get some notion of what it's like to be somebody.
I mean, there's always somebody in somebody's administration who jumps out early, sells a book, and goes after the guy who hired him. I don't know if that's good. It may be good business; it's not good politics.
They will find somebody younger, somebody funnier, somebody more engaged. As long as the court genre is viable, people are going to be looking for someone to knock me off of my perch.
In order to be able to work with somebody in acting, you've first got to think that person's a good actor before you can enjoy working with them. I guess that goes with the trust.
That James Bond movie? The one where Bond skis off a cliff, shucks his skis, and parachutes to the ground? That's for me. That's what I want to be. A stuntman in a Bond movie.
There was a time in our past when one could walk down any street and be surrounded by harmonious buildings. Such a street wasn't perfect, it wasn't necessarily even pretty, but it was alive. The old buildings smiled, while our new buildings are faceless. The old buildings sang, while the buildings of our age have no music in them.
I never intended to go to Broadway. I was very happy being in an Off Broadway theater and having an Off Broadway life. What it did to me is try to fit a round peg - that's me - into a whole bunch of square buildings. I just didn't fit.
I was actually picked on as a kid. I guess in high school it started to change for me. I guess being picked on made a lasting impression on me so I never - whenever somebody calls me handsome or anything like that, I never take it for granted. I appreciate it every time I hear it, so it's never something that gets old.
The thing is, if I try to talk about acting, I come off as moaning. But I'm privileged. I think it's all about control. Acting is vulnerable because you're not in control of anything. You have to give up a lot of your trust; it's up to somebody else what they do with what you've given them.
I studied at a time when buildings were sterile things, and their creators were hands-off people - super-intelligent people, but you felt they didn't love the stuff buildings are made from.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
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