A Quote by Joaquin Sorolla

The older I become, the more I realize that drawing is the most important of all the problems of picture-making. — © Joaquin Sorolla
The older I become, the more I realize that drawing is the most important of all the problems of picture-making.
At some point, I thought that, as I got older, I'd come to terms with a lot of things. I'd solve some big problems, and eventually I'd become content. It's almost more depressing to think that the older you get, the more your problems multiply.
As far as CGI and hand-drawn animation, I consider them both nothing more than tools for drawing pictures, the same as crayons or oils. Which is why, to me, the most important thing is what it is you are drawing, and in the themes that I depict, I think hand-drawing is the most effective.
I never know if my picture is a good picture or a bad picture, because I'm not making pictures thinking of the public, I'm making pictures to realize myself.
The subject of the lesson itself should not become more important that the underlying basis. Drawing thus provides first the written forms of letters and then their printed forms. Based on drawing, we build up to reading.
Primitive, naive drawing can also be good drawing but it's hard to pull off. I don't think most submitters realize that.
You do become more aware of your mortality as you get older. When you're little, you jump on any wild horse. Then you get a little bit older and realize how fragile life is, and you're more careful.
When I get to the drawing, I really enjoy taking a big chunk of time and working on the drawing and nothing else. That allows me to make sure that I'm really challenging the art, making each picture as interesting as I can.
It's always interesting researching characters and as I get older and the more that I work in this business, I do more and more of it because I realize how important it is.
The more ugly, older, more cantankerous, more ill and poorer I become, the more I try to make amends by making my colours more vibrant, more balanced and beaming.
Teaching is very important to me, and it has become more important as I get older.
In picture-making the writer is the most important cog in the wheel.
It's weird making a drawing of painting. I start to realize that charcoal is this incredibly fragile material. I'm making images of paintings out of dust.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
For me, travelling and drawing the world, experiencing as much as possible first hand, has been very important. Making notes, drawing and writing on the move, became second nature.
I think that one of the most exciting things about making films is the sort of reaching out to the world. It's as an ambassador. You realize the more you travel that you are a cultural ambassador for your own country. You never become more patriotic than you do living abroad.
I don't think it's more important to preserve female friendship than a marriage. But I think that there's a place for female friendship that's really important in the lives of all the women I know. As I've gotten older, it's become much more important to me.
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