A Quote by Jocelyn Wildenstein
When you reach 50 you like to have a certain freedom because it's really the time you can show you achieved something.
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I actually like a film in a gallery, because you don't have to show up at a certain time to see something, you can just walk in whenever. I like that freedom to be able to see something anytime. I personally don't mind watching something knowing that it's not the beginning and then just letting it run its cycle.
For example, when someone does something really, really good one time but has a little mishap later, people will still say, "Ah, that person is not like that. He's a good person. Don't you know what he did last time?" It will become like that. Once you have achieved perfection, the rest will be "free". After that, you can do whatever you want so in order to reach my 100 potential, I have to have a resilient attitude.
It will never be the case that people won't eat meat. I think it could conceivably be the case one day that people eat very small amounts of it. That it's a special thing, rather than reach for it because it's cheap or reach for it because it's convenient, that it becomes something festive or something celebratory, once a week, and that could actually be achieved on small farms if we really changed our habits.
I'm so grateful that the Internet and the DVD came along because, otherwise, something like 'Freaks And Geeks' would have been dead. At the time we made the show, those avenues weren't really available, and the idea of the show carrying on after it was canceled was something that didn't really happen.
I go and film 50 people in Israel, 50 people in Russia, and 50 people in Romania, in Paris, because I really like to get some particles of something real.
I think at a certain point we a little bit forgot that it was a pot show. I think I said something to Harry [Elfont], around Episode 7 [of mary and Jane], I was like, "We have a pot show. Nobody is smoking any weed." There is literally a shot in the season finale where everybody lights up at the same time. I was like, "I feel like we are not honoring our concept." It just became a show. It became a show about these two girls doing this crazy thing and getting into all these adventures and it was really not about the weed.
When you're a woman in your 40s, it's not the best time to do films, because there really aren't that many roles. Then you reach 50 and there are more roles again. Mother parts.
I mean honestly, anybody can diss me. I remember 50 Cent said something and everybody was like you need to get at 50 and I was like, 'Whatever, I'm in a whole different place in my life.' It's gon' have to take something really, really serious for me to start putting that much negative energy into the world again.
My dreams are always quite attainable, I wouldn't like to spend a lot of money on a car. I've got a mental block about splurging on something so visible like that. I could do it on a watch or something because that's quite personal and it isn't something that's on show all the time, but with a car everyone thinks you're a show-off. But one thing I would really like is a Ford Mustang - for me, that's the attainable dream. You look at it and you just think "F*** yes!" - you can hear an electric guitar solo playing in your head!
People are always talking about freedom. Freedom to live a certain way, without being kicked around. Course the more you live a certain way, the less it feel like freedom. Me, uhm, I can change during the course of a day. I wake and I'm one person, when I go to sleep I know for certain I'm somebody else. I don't know who I am most of the time.
I had to grow up, reach a certain age where I see people do have something to show me.
If it happens that I score 50 goals, it'll be awesome. Any player in the league would like 50. But I don't keep thinking every day that I have to score in order to reach 50 goals .
I think that a movie of a TV show is really tricky, and I don't know if it's ever really been done well. Because it's really hard if you have a 22-minute show, especially something like 'Party Down,' where it's all contained at the party.
I remember one time 50 was offering me different things to come and be apart of G-Unit. I didn't really do it because it was kind of at the time where they were signing Mobb Deep, Ma$e and M.O.P. I didn't know if I wanted to be up under something.
I feel like when you're videoing someone and you catch Tiger at a bad time, you show him accidentally doing something, or someone else, they're just frustrated because they really care about the game. It could really hurt them if they catch you at a potentially vulnerable time.
Well, I think tone is very important with this show [Masters of Sex] because there are certain elements or certain aspects to the show that may be reminiscent of other shows. But, it really is a very new kind of show, in terms of the subject matter and the way it's being dealt with, and the fact that it's about real people and real events.
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