A Quote by Jock Sturges

I just yesterday returned from a trip where I photographed a woman with two children whom I photographed first when she was the age of the older of the two children.
Freaks was a thing I photographed a lot. It was one of the first things I photographed, and it had a terrific kind of excitement for me. I just used to adore them. I still do adore some of them.
I’m just trying to not be in stupid gossip magazines, basically, and I think the best way to do it is never be photographed ever. As I get older, I just get more and more and more self-conscious about getting photographed. I don’t know why. I’ve done it too many times and now I feel like everyone can see through me.
[To the mother of two unruly children in a restaurant after the woman said she really didn't know what to do with her children:] Have you tried infanticide?
When I was photographed, I didn't feel I was acting. I just felt I was being photographed. It sort of taught me things about myself that I didn't know and was trying to find out.
My wife wanted my children to have some Chinese culture and education. She believes the children need to learn two languages and two cultures.
The only parental authority I had was the studio. When I was a star, there was always somebody with me, to guard me. I was not allowed to be photographed with a cigarette, a drink, a cup of coffee or even a glass of water because someone might think it was liquor. When I left the studio I was already married and had two children, but I felt as sad as a child leaving home for the first time.
Photography is an elegiac art, a twilight art. Most subjects photographed are, just by virtue of being photographed, touched with pathos.
Young children learn in a different manner from that of older children and adults, yet we can teach them many things if we adapt our materials and mode of instruction to their level of ability. But we miseducate young children when we assume that their learning abilities are comparable to those of older children and that they can be taught with materials and with the same instructional procedures appropriate to school-age children.
Freaks was a thing I photographed a lot. It was one of the first things I photographed and it had a terrific kind of excitement for me. I just used to adore them. I still do adore some of them. I don't quite mean they're my best friends but they made me feel a mixture of shame and awe.
Shooting great-grandchildren of some of the people I had photographed in the past, who are around the age of 15, is fascinating to me, because they're right on this fine line between still being children and starting to become themselves.
What has changed is that when I photographed, most people that I photographed didn't have the right of refusal on their work. It would take a Marilyn Monroe at her height to be able to dictate that.
I knew Marilyn over a two-year period. I met her first on a movie called 'Let's Make Love.' I photographed her at that time on and off through the time of her death. I was 22 years old and she was 34 or 35.
If you ask, you're a boor. Just accept it. Hillry Clinton loves children! She helped children! She village'd children. She raised children. She wrote a book about it.
I have two children myself. I always laugh; they have you playing mothers pretty early, us women. You look at the television, the mothers get younger and younger, and the children get older and older, and you start to wonder when these people had these children. Were they breeding when they were 12?
When Jesus Christ asked little children to come to him, he didn't say only rich children, or White children, or children with two-parent families, or children who didn't have a mental or physical handicap. He said, Let all children come unto me.
Knowing few children of my age with whom to compare notes, I envied the children of literature to whom interesting things were always happening.
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