A Quote by Jock Sturges

All my life I've taken photographs of people who are completely at peace being what they were in the situations I photographed them in. — © Jock Sturges
All my life I've taken photographs of people who are completely at peace being what they were in the situations I photographed them in.
I love being photographed, or I should say I love the art of photography. It's about people taking photographs of you, stealing them, and then presuming or assuming or captioning. Words can never be taken back, photographs can never be taken back, nothing can ever be taken back.
It is a nostalgic time right now, and photographs actively promote nostalgia. Photography is an elegiac art, a twilight art. Most subjects photographed are, just by virtue of being photographed, touched with pathos. ... All photographs are memento mori. To take photograph is to participate in another person's mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time's relentless melt
My whole break-up with Amanda Holden was in the papers for three years and my dogs were photographed being taken for walks more than any in Britain. They're two Cairn terriers. I don't have them now, though, she has them.
I've grown up around people who love photography, and I think from being photographed for so long, I always wanted to understand how it worked, and I've been fortunate enough to be photographed by some really wonderful photographers, and so I learnt a lot from them, and I always ask them questions.
Photographs bear witness to a human choice being exercised in a given situation. A photograph is a result of the photographer's decision that it is worth recording that this particular event or this particular object has been seen. If everything that existed were continually being photographed, every photograph would become meaningless.
Sometimes you remember your life in photographs that were never taken.
Dogs don't mind being photographed in compromising situations.
I've had photographs taken for portraits because I very much prefer working from the photographs than from models... I couldn't attempt to do a portrait from photographs of somebody I didn't know.
It was really bizarre, that Sabzian business. You know I had no interest in being photographed before this incident. But then not just Sabzian—many other people started pretending they were me! One of them actually got married while pretending he was me! My face became publicly recognizable soon after I decided to have a few photographs of me available in public to prevent these sorts of identity thefts. It is really pathetic, if you think of it. Filmmakers and filmmaking is so popular in Iran because all other forms of expression have been denied to people.
You know, the Chinese don't like to be photographed because they believe that a part of their life is being taken away by the photographer. And in a way, they're right. The photographer is trying to get the prettiest moment of a life in his camera.
Things changed a little when I started taking photographs for magazines. I was afraid in the beginning. I thought, "Oh I can't do it, because I have never taken a photographs commercially for a magazine." But I wanted to learn so I started. But when I took models from agencies, I took beginners. Sometimes they were really good, but you have to work with them. You have to be good with women and the boys.
I've always liked street lights, and I've always photographed them. I probably have a collection of two to three thousand photographs of them, just around the city, mainly at night.
I have photographs taken of me at the time I was addicted, and thought I looked good. I see them today and realize my eyes were dead.
So many people are diverted to doing what people want photographed - fashion models, buildings, mountains - they get to thinking those photographs are good.
In an era when museum curators were busy introducing the public to photographs of daily life taken by Robert Frank, Henri Cartier-Bresson, and Diane Arbus, why did they simultaneously disdain paintings depicting the same kind of people?
When I was being photographed, I always felt very much in my own skin. That's probably one of the reasons why I enjoy being photographed.
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