A Quote by Jocko Willink
A lot of times, people have something that they're afraid of. They've got a client that's mad at them. They've got a project that's due. And they let that stress hang over their head. I don't let that happen.
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I just remember that whenever I got really mad or passionate, like in an argument, people would laugh, and I'd be dead serious. It would happen a lot. So it was like, Gee, I've got something here.
I've always had that attitude about my career: it's something that I do, but it's not my whole life. I have a real life, a personal life: I've got a lot of chickens, I've got a horse, I've got a kitty-cat, I've got a lot of goats, I've got animals all over the place.
I've got at least two major project ideas that I've been chewing on for several years in my head and I've been trying to resist them both. But I have learned over the years that when they don't go away and they're still in there, you probably have to resign yourself to the fact that you're going to do something about them.
'Tiger King.' They are absolutely gone with the fairies, they're all absolutely raving out of the box, the lot of them. All those people with animals like tigers, who've got their own zoos in America, and one guy's got something like 2,000 tigers in his back garden. It's absolutely mad.
I think I got a lot of life skills; I got a lot of wisdom; I've seen a lot of bad things happen to a lot of good people.
I've got alopecia so I've got bald patches all over my head and I grew up with that, so obviously I've become accustomed to it, but it's still not nice when people are saying it in your industry when they know you've got a condition.
Through a lot of conversations with the Minister [Louis Farrakhan] you've got to know when to say something. But if you are forever going to be afraid to say anything, then you become irrelevant - as a force. I mean, so the God-given gift that you got, you're not a relevant player in the game - you're just a dude whose got money, got a big house and some cars.
I'm the gypsy man. I don't really live anywhere. I've got a roof over my head in Los Angeles, and I've got a lot of friends everywhere.
Certainly as actors, and maybe as directors, you've got to hang on to something childlike. You've got to know what play is. I haven't worked with Mike Leigh, but I know him very well and there's something open in his eyes about what's in front of him. And the same is true of Alfonso in a Mexican, mad way. There's an enthusiastic response to something. Neil Jordan, the same, when he gets excited . You just want to know there's a human being in there.
Things that happen in Wyoming are things that wouldn't happen in a big city - we've got bears, we've got a lot of shotguns - in Absaroka County, everybody's got a shotgun in the back of their car!
I once started a small business when I got out of college and enjoyed the stress of making it work. High-stress situations clear my head, and I love the challenge of getting along with many different kinds of people. I'm scared of routine.
To impress your offer on the mind of the reader or listener, it is necessary to put it into brief, simple language...No farfetched or obscure statement will stop them. You have got to hit them where they live in the heart or in the head. You have got to catch their eyes or ears with something simple, something direct, something they want.
Because over and over again, the times that I've done really good things is because I've had a wonderful client of some kind, and a lot of it depended on me to induce them to be creative.
I watch the people I hang around, 'cause if you hangin' with people who still got their foot in the street, that really involves you as well. It's definitely all about the company I keep. If you don't want anything to do with the streets or whatever, but you got everybody around you in the street, you just as much a part of it as they are. A lot of times it's very hard; you gotta straight cut off people, you know what I mean? If it ain't good for you, you just gotta turn your back to it.
We have got to be more comfortable experimenting with different models. So maybe a client just needs execution people or a lot of young people who are great with social media. We don't always have to give them the pyramidal structure of senior VP and account supervisor.
The 'Degrassi' producers were very supportive. They sent me flowers when I got 'The Vampire Diaries,' and then as soon as it premiered and got the great numbers that it did, I got another large bouquet of flowers from them. Every time I go back to Toronto, I see them and hang out with them.
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