A Quote by Jodi Lynn Anderson
Sometimes I think that maybe we are just stories. Like we may as well just be words on a page, because we're only what we've done and what we are going to do.
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Depending on where I am in the process, sometimes I have a page count and sometimes I don't. Sometimes I have an hour count; sometimes I'm just happy to string a few words together. I do keep pretty rigorous hours, because otherwise you never get anything done.
Sometimes you have to say the words exactly how they are on the page, but sometimes when you improv, it only helps to get across what's on the page, and I just love working with directors who allow that.
I just like to express myself in the world around me. And I love writing, but sometimes it feels a little too minute. Sometimes, at the end of the day, there's just not enough colors involved - visually, there are just words on a page.
I'm quite interested in what words can be, if it's very few words, and it's a kind of club track but it has a sort of uplifting or spiritual kind of feeling to it. Somehow, something bigger than just the words on the page happens when you hear it all together. Sometimes I notice when I'm DJing, I put on a lot of tracks that feature vocals. I guess for me, it's just from growing up loving songs, so maybe I'm geared slightly more towards dance music that features a song element.
You do sometimes watch performances and just think, 'I may as well give up. I won't reach that. I may as well give up.' But then there are other actors you watch and just think, 'Oh my God, yes, I want to try and do that. Try and be like that'. And Bryan Cranston is someone who I'd like to try and be like.
There's stories and then there's stories. The ones with any worth change your life forever, perhaps only in a small way, but once you've heard them, they are forever a part of you. You nurture them and pass them on, and the giving only makes you feel better. The others are just words on a page.
I began to see, again and again, stories that were first confusing and second where the emotional impact was muted because the big scene came before the explanation of what was going on. There was a reverse chronological order as well as a concealment of what exactly was going on. I think often that comes out of the fear of being boring, and sometimes I think it's just an attempt to seem clever.
It'd make a wonderful change to have the leader of a pluralist democracy who acted on that, who told people just how tough things are going to be, just what's going to have to be done - and, maybe, ran all the risks on the side of honesty, rather than spinning stories and trying to win the headlines every day.
I show up and try, but I may have to ask myself if I need to wait and let myself regenerate and take a break. I know that this thing that makes the stories has to be treated gently. So sometimes I'll just stop and let the well fill up. With my work, sometimes I hate doing it, but I love having done it. The key is to keep doing it.
Sometimes you think, "Oh man, this is going to be a fantastic movie," and then when you see it put together, you're like, "Oh, huh. Well, that didn't turn out quite the way I thought." Sometimes you think you're part of a project and it isn't that great, and then it sort of becomes a pleasant surprise. But I think there's just too many elements that affect the tone of a movie, so I think even for a director, it may be hard to gauge that.
People say, "Well, we're all just going to die and go to heaven anyway, or Jesus is going to come back" or something. I don't feel like God wants us just to lay down and die just because that's going to happen. I think we should keep trying.
I like the brighter, shinier, happier comic-book material on a personal level, but I also think the best stories are told where you just don't know from page to page or moment to moment when the sucker-punches are coming.
I kind of don't believe in actors directing themselves. Obviously some people have done it well, but I don't see how I could. It's funny that you ask, because I've just been thinking that maybe I'd rather direct The Bell Jar than act in it. It's a huge leap to go from a short to a feature, so I'm tentative - I'm like, Well, that's just so triple-type-A personality of you.
I actually cut my sentences a lot. I'm very aware of the actor, giving them too many words - just a mouthful of words - it's difficult sometimes for an actor. So I'm kind of aware of breaking sometimes the line, the sentence with a comma where maybe there wouldn't be a comma there. Just to give a breathing space for the actor, just to be aware of that.
I think I fully commit myself to any role to the extent to which I can. In other words there's some roles that maybe it's just not there, in other words on the page. You know, I mean your job is you need to play the governor and that's what you do. I mean I'm not going to stay up all night if I'm playing a functional role. And I've played a couple of functional roles. And so I'm not going to do anything other, look he's a functional guy. He says hey mister, you forgot your hat.
I like the idea of acting. Of all these things I've done, sometimes I think I've done well, and sometimes I think I didn't do well, but they are more cameos, and I come in and be crazy.
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