A Quote by Jodi Picoult
I don't think we get a choice in who we fall for," Ian whispers. "I think we just do.
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I sat down and tried to write a story. "Ian MacArthur is a wonderful sweet fellow who wears glasses and peers out of them with delight." That was the first sentence. The problem was that I just couldn't think of the next one. After cleaning my room three times, I decided to leave Ian alone for a while because I was starting to get mad at him.
[My choice about scripts] is just a question of what I fall in love with. You have to use some kind of instinct meter about it. I think I'm getting closer to my instincts now. I don't think there needs to be a plan. I think there needs to be love. I think you need to love what you're doing and then the rest is anybody's guess.
Here's what I think," I say and my voice is stronger and thoughts are coming, thoughts that trickle into my noise like whispers of truth. "I think maybe everybody falls," I say. "I think maybe we all do. And I don't think that's the asking." I pull on her arms gently to make sure she's listening. "I think the asking is whether we get back up again.
I think of choosing as a... both a fun and an effortful activity and I think of choice as something that in order for you to really get what you want out of it you have to put a lot into it and so I'm only willing to do that for a few different things and for the rest I really just try to either satisfy, come up with a simple rule or let somebody else make the choice.
I think about everything first. I think about the scenario: the story and the characters, what I'm trying to say and I'll think about that for a couple of days until it's all locked in and then when I get to an instrument it'll just fall out. But the song's kind of all ready there in my head.
[On Ian Fleming:] The trouble with Ian is that he gets off with women because he can't get on with them.
I think you just have to look after yourself, you know, when you're doing long tours; you just have to. I think bands learn that pretty soon, really. And if they don't, I think they tend to fall by the wayside.
I confess I am a romantic. I love romance, and I think it's really fun and delicious and some of my favorite films are love stories. I think that you just get a chance to fall in love with the characters so much and you get to explore their lives so deeply.
This Budget reflects a choice - not an easy choice, but the right choice. And when you think about it, the only choice. The choice to take the responsible, prudent path to fiscal stability, economic growth and opportunity.
I don't think homosexuality is a choice. Society forces you to think it's a choice, but in fact, it's in one's nature. The choice is whether one expresses one's nature truthfully or spends the rest of one's life lying about it.
We often think of choice as a thing. But a choice is not a thing. Our options may be things, but a choice—a choice is an action. It is not just something we have but something we do.
The computer beeped as the upload completed. A moment later, Ian Kabra appeared on the screen. Dan was surprised. "Hey, Ian, isn't it, like, two in the morning back there?" "It's called jet lag," Ian informed him. "I'm still on London time. I don't suppose you savages have any tea in this mausoleum." "There's a diet Snapple in the fridge." Ian shuddered. "I thought not.
Because if we make the wrong choice, then the danger is that we'll get hit again, that we'll be hit in a way that will be devastating from the standpoint of the United States, and that we'll fall back into the pre-9/11 mind set if you will, that in fact these terrorist attacks are just criminal acts, and that we're not really at war. I think that would be a terrible mistake for us.
Sometimes it’s a sort of indulgence to think the worst of ourselves. We say, ‘Now I have reached the bottom of the pit, now I can fall no further,’ and it is almost a pleasure to wallow in the darkness. The trouble is, it’s not true. There is no end to the evil in ourselves, just as there is no end to the good. It’s a matter of choice. We struggle to climb, or we struggle to fall. The thing is to discover which way we’re going.
I think I'm determined. And I think if you're determined, you're right. Your behavior is exactly the same when you're stubborn, except then you're wrong. And so, there's times when I'm wrong, and I'd say, "Well, you were the dark side of determined." But I think determination, you know, it's like have an idea, think about the idea, the risks involved. What does it take to get from here to there? And then once you make the choice, you just keep going.
I just think, in every acting choice that you make, you've got to go for the least obvious choice.
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