A Quote by Jodi Picoult
There was no black or white. Someone who had been good her entire life could, in fact, do something evil. People were just as capable of committing murder, under the right circumstances, as any monster.
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Back when we was in school in Mississippi, we had Little Black Sambo. That's what you learned: Anytime something was not good, or anytime something was bad in some kinda way, it had to be called black. Like, you had Black Monday, Black Friday, black sheep... Of course, everything else, all the good stuff, is white. White Christmas and such.
Traveling in the segregated South for black people was humiliating. The very fact that there were separate facilities was to say to black people and white
people that blacks were so subhuman and so inferior that we could not even use public facilities that white people used.
Segregation was ugly but we made something good out of something ugly. Since we were not welcome in other places run by White people, we were forced by circumstances to let our dollars circulate in our own communities. When you were young and I was young, there was a plethora of Black businesses. But when White folks said, "yes, come and spend your money with us," we ran downtown when we could only pass through downtown. Now downtown has our money.
It was a good script [Something New]. We have not seen an interracial issue dealt with from a black woman and white man's perspective in this way. And, usually, it's a black man, white woman. I loved the fact that it wasn't about the couple being against the world or the couple against the family. I loved the fact that it was her dealing with her own prejudices that came up, her own guilt, her own shame and embarrassment about what her peers thought.
It's so easy to say "evil Nazi monsters," but as soon as we do that, we take away the fact that it was individuals committing individual acts of murder. They had children, and what does that do? As soon as you generalize, they become monsters. It doesn't allow you to understand it in any kind of sophisticated way.
At that moment a very good thing was happening to her. Four good things had happened to her, in fact, since she came to Misselthwaite Manor. She had felt as if she had understood a robin and that he had understood her; she had run in the wind until her blood had grown warm; she had been healthily hungry for the first time in her life; and she had found out what it was to be sorry for someone.
Before we snap to judge someone who's done a horrible crime, is it possible that all of us in the worst possible circumstances could be capable of something like that? So it's about not judging people before really considering what the circumstance was and that not all murderers are created equal. We have a tendency in our society to just say murder? Cut and dried. Go away forever. Or maybe you should have the electric chair yourself.
Then let me put it to you this way. There is seldom black and white in our world. Sometimes things we perceive as good have moments of profound evil, but profound evil will always tell you that it’s always good. It never admits that it could, in any way, be evil. (Alexion)
I grabbed her, right there outside the lunch room in the swarming mob. I didn't care if others were watching. In fact, i hoped they were. I grabbed her and squeezed her. I had never been so happy and so proud in my life.
There's no way to explain to a child that the line between good and evil isn't nearly as black and white as a fairy tale would lead you to believe. That an ordinary person can turn into a villain, under the right circumstances. That sometimes we dragon slayers do things we aren't proud of.
There is not a history of black intellectuals being allied with dominant forces to hold white people in social and cultural subordination for a few centuries. Second, the "our" of black folk has always been far more inclusive that the "our" of white folk. For instance, there would have hardly been a need for "black" churches if "white" churches had meant their "our" for everybody - and not just white folk. But "our" black churches have always been open to all who would join. The same with white society at every level.
I want to burn as a beacon of possibility. I don't want nobody to misconstrue the commercial success I've had as anything other than an example of what black music is capable of. And what it's capable of is being more than just black. I'm not black or white anymore. I'm Cee Lo Green.
Photography has always been capable of manipulation. Even more subtle and more invidious is the fact that any time you put a frame to the world, it's an interpretation. I could get my camera and point it at two people and not point it at the homeless third person to the right of the frame, or not include the murder that's going on to the left of the frame. You take 35 degrees out of 360 degrees and call it a photo. There's an infinite number of ways you can do this: photographs have always been authored.
Black people's music is in a class by itself and always has been. There's nothing like it. The reason for that is because it was not tampered with by white people. It was not on the media. It was not anywhere except where black people were. And it is one of the art forms in which black people decided what is good in it. Nobody told them. What surfaced and what floated to the top, were the giants and the best.
Before BLM, there was a dormancy in our black freedom movement. Obviously many of us were doing work, but we've been able to reignite a whole entire new generation, not just inside the U.S. but across the globe, centering black people and centering the fight against white supremacy.
I'm sure no intelligent white person, in his or her right white mind, want black men and women marrying their white sons and daughters and in return introducing their grandchildren to half brown, kinky haired black people.
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