A Quote by Jodi Picoult

Violence up close has a smell. Like copper blood and charcoal burning. — © Jodi Picoult
Violence up close has a smell. Like copper blood and charcoal burning.
Space has its own unique smell. So whenever a vehicle docks, or if guys are out doing a spacewalk, the smell of space when you open up the hatch is very distinct. It's kind of like a burning-metal smell, if you can imagine what that would smell like.
Now, space has its own unique smell. So whenever a vehicle docks, or if guys are out doing a spacewalk, the smell of space when you open up the hatch is very distinct. It's kind of like a burning-metal smell, if you can imagine what that would smell like.
We're teaming up with a major Hollywood studio, and we're making a movie called 'Copper.' It's set on Mars in the 24th century. By then we've got 27 billion people in the world, copper is the world's most valuable metal because everything runs on electricity, and there's no more burning of hydrocarbons.
When I got on set, and these huge, big lights come on, it brings on a smell - it's almost like the smell of a light burning a little bit - and I said, 'This reminds me of my childhood,' because I grew up onstage.
When you smell our candles burning, what does it make you think of, my child?" Winterfell, she might have said. I smell snow and smoke and pine needles. I smell the stables. I smell Hodor laughing, and Jon and Robb battling in the yard, and Sansa singing about some stupid lady fair. I smell the crypts where the stone kings sit. I smell hot bread baking. I smell the godswood. I smell my wolf. I smell her fur, almost as if she were still beside me. "I don't smell anything," she said.
Hallo! A great deal of steam! the pudding was out of the copper. A smell like a washing-day! That was the cloth. A smell like an eating-house and a pastrycook's next door to each other, with a laundress's next door to that. That was the pudding.
What I like about Layer Cake is its intelligent through-line. First of all, I think it's very close to the truth; I think this is what successful drug dealers are like. They don't drive around in flashy cars, they don't show off, they behave very quietly, they get on with their job and they earn lots of money. And it goes up and up and up and up the scale. Secondly - and selfishly - I like the moral aspect of the movie, which is that violence has consequences, and you feel emotionally involved with the violence.
I smell blood. I'm like a pit bull. Once I taste blood I'm on you .. and I'm about to taste blood.
If you see the blood, then there's an easy association of the violence. The violence that happens when there isn't blood is actually much more subversive and unsettling.
You don't know. When I'm out there at night I feel close to my own body, I can feel my blood moving, my skin and fingernails, everything, it's like I'm full of electricity and I'm glowing in the dark - I'm on fire almost - I'm burning away into nothing - but it doesn't matter because I know exactly who I am.
Before I met No I thought that violence meant shouting and hitting and war and blood. Now I know that there can also be violence in silence and that it’s sometimes invisible to the naked eye. There’s violence in the time that conceals wounds, the relentless succession of days, the impossibility of turning back the clock. Violence is what escapes us. It’s silent and hidden. Violence is what remains inexplicable, what stays forever opaque.
The role that blood plays in Christian iconography is huge - the washing of the blood, the shedding of blood, the blood of the cross, the crucifixion, the violence of that imagery. These are horrific, and yet they are at the center of the Christian faith. There is a place where beauty and terror merge, and it's at the cross.
At least in my country, we have come to accept the flags burning, but what we cannot accept is violence, burning of embassies and intimidations, and there is no excuse for that.
As soon as I got into the library I closed my eyes and took a deep breath. I got a whiff of the leather on all the old books, a smell that got real strong if you picked one of them up and stuck your nose real close to it when you turned the pages. Then there was the the smell of the cloth that covered the brand-new books, books that made a splitting sound when you opened them. Then I could sniff the the paper, that soft, powdery, drowsy smell that comes off the page in little puffs when you're reading something or looking at some pictures, kind of hypnotizing smell.
Many pilots of the time were the opinion that a fighter pilot in a closed cockpit was an impossible thing, because you should smell the enemy. You could smell them because of the oil they were burning.
If a piece of burning charcoal be placed on a man’s head, see how he struggles to throw it off. Similar will be the struggle for freedom of those who really understand that they are slaves of nature.
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