A Quote by Jodi Picoult
If you end your story, it's a static work of art, a finite circle. But if you don't, it belongs to anyone's imagination. It stays alive forever.
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Ballet is a finite art - your body won't let you do it forever, so I wanted to do it while I could.
I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
When you do your collection, you are much more free. You have fewer boundaries. When you work on a movie, you have to take into consideration the story, the plot, the vision of the director, even the physique of your cast. And then on top of all this, you want your imagination, your taste, and your ideas to come through. But a movie is forever.
I can well imagine an athiest's last words: "White, white! L-L-Love! My God!" - and the deathbed leap of faith. Whereas the agnostic, if he stays true to his reasonable self, if he stays beholden to dry, yeastless factuality, might try to explain the warm light bathing him by saying "Possibly a f-f-failing oxygenation of the b-b-brain," and, to the very end, lack imagination and miss the better story.
The universe is deathless; Is deathless because, having no finite self, it stays infinite. A sound man by not advancing himself stays the further ahead of himself, By not confining himself to himself sustains himself outside himself: By never being an end in himself he endlessly becomes himself.
As I tell young people in workshops, 'It's your country. If you came here on the bottom of a slave ship, if your people came here seeking political freedom - however your folks got here - it belongs to you just as much as it belongs to anyone, so claim it. It's your birthright. America belongs to every person who is here.'
You are an eternal being now on the pathway of endless unfoldment, never less but always more yourself. Life is not static. It is forever dynamic, forever creatingnot something done and finished, but something alive, awake and aware. There is something within you that sings the song of eternity. Listen to it.
No one owns anything. Anyone who has lost something they thought was theirs forever finally comes to realize that nothing really belongs to them. And if nothing belongs to me, then there's no point wasting my time looking after things that aren't mine.
As a Vietnamese refugee who became an American writer, I can tell you that you matter, that your sadness matters, the story of how you survived and triumphed matters. For every story that belongs to you, in time, belongs to America.
Anyone who thinks consumption can expand forever on a finite planet is either insane or an economist.
Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.
Anyone who believes exponential growth can go on forever in a finite world is either a madman or an economist.
De Morgan was explaining to an actuary what was the chance that a certain proportion of some group of people would at the end of a given time be alive; and quoted the actuarial formula, involving p [pi], which, in answer to a question, he explained stood for the ratio of the circumference of a circle to its diameter. His acquaintance, who had so far listened to the explanation with interest, interrupted him and exclaimed, 'My dear friend, that must be a delusion, what can a circle have to do with the number of people alive at a given time?'
It's pretentious to say, but my art is like a little Zen story, a story with a question mark at the end. People can take from it what they need. If somebody says, "Your art is very funny," I say, "You are totally right." If somebody says, "Your art is very sad," I say, "You are totally right." In Japan they say, "Your art is very Japanese, you even look Japanese.Your great-grandfather was most surely a Japanese man." And I say, "You are totally right."
The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story.
I think finite series gives you more time to write down your journey in any show. When it's a finite series, you know the start and know your end. The writers and actors know what is going to happen, so the interest is not lost.
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