A Quote by Jodi Picoult
The truth was, history repeated itself on a daily basis; mistakes were made over and over. People were haunted by what they had done, and by what they hadn't had time to do.
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The thing that most haunted me that day, however...was the fact that these things had - apparently - actually occurred...For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth. And once you've seen that truth - really seen it - you can't look away.
From the little reading I had done I had observed that the men who were most in life, who were molding life, who were life itself, ate little, slept little, owned little or nothing. They had no illusions about duty, or the perpetuation of their kith and kin, or the preservation of the State. They were interested in truth and in truth alone. They recognized only one kind of activity - creation.
My mistakes made were learning how to work with different groups of people. I mean, I went to school at Berkeley, which is a pretty diverse group, but working in a professional setting, I hadn't really done that before and learning about office politics, learning about interactions between different people and I made a lot of mistakes there during my time as a young person. I was 19 or 20 at the time. So, I would say those were my biggest career mistakes, but fortunately they were made in the context of an engineering co-op program and not in a professional field.
I could remember the details as if it had happened yesterday, even though it was hard to believe some of it had happened at all. Funerals were tricky like that. And life, I guess. The important parts you blocked out altogether, but the random, slanted moments haunted you, replaying over and over in your mind.
Anyone who's done their homework knows that the West was a pretty rough-and-tumble place. People from all over the world were there - and when you were there, you had to be tough as nails.
America had been a boom-and-bust economy going into the Great Depression - just over and over and over, fortunes were wiped out, ordinary families were crushed under it.
AMD's history is we've always had great technology. We've had periods of time where we've done really, really well, and we've had periods of time where we've done not so well. But most of the time we've done well, it's because we've had a leadership product or some technology where we were out in front before anybody else.
But, finally, I had to open my eyes. I had to stop keeping secrets. The truth, thankfully, is insistent. What I saw then made action necessary. I had to see people for who they were. I had to understand why I made the choices I did. Why I had given them my loyalty. I had to make changed. I had to stop allowing love to be dangerous. I had to learn how to protect myself. But first… I had to look
I was always embarresed by the words 'sacred,' 'glorious,' and 'sacrifice' and the expression 'in vain.' We had heard them, sometimes standing in the rain almost out of earshot, so that only the shouted words came through, and had read them on proclamations that were slapped up by billposters over other proclamations, now for a long time, and I had seen nothing sacred, and the things that were glorious had no glory and the sacrifices were like the stock yards at Chicago if nothing was done with the meat except to bury it.
The privilege I've had over 15 movies over a very long time has been to make movies that were ambitious or grown-up, complex, that had themes in them that were sometimes political, sometimes challenging, to make these movies on a scale.
I have to admit, if I had my druthers, I'd prefer one camera TV. That's what 'Mayberry R.F.D.' and 'F Troop' were. You make mistakes, you do it over again. Both of those companies were just a great lot of fun to be with.
It never occurred to me that there were so many wonderful photos that had been orphaned and were out there in the world, waiting to be found. Over time, I found a lot of very strange pictures of kids, and I wanted to know who they were, what their stories were. Since the photos had no context, I decided I needed to make it up.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
I've done well over time but made lots of mistakes, too. Learn from your mistakes.
Because of the dynamics on the picket line all my life, I had these expectations of people. It was all the things that I had learned about outsiders from the time I was tiny, that they were evil, that if they were being nice to me they were trying to seduce me away from the truth.
We've always done things the way we wanted to. It's true that our experience affects some of our decision making, but that's a part of growing up and evolving as a band and as people. The first five or six years were really rough. We had no money. We were lost and crazy and made mistakes, but we learned a lot and suffered through tough times, and I think what we did reflected where we were and who we are.
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